e 'Arcadia,' 88 _n_
invocations to Cupid in his collection, 'Coelica,' 97 _n_
his 'Sonnets,' 438 439

Griffin, Bartholomew, 182 _n_
plagiarises Daniel, 431 437

Griggs, Mr. W., 302 _n_

Grimm, Baron, recognition of Shakespeare's greatness by, 349 350 _n_ 1

'Groats-worth of Wit,' Greene's pamphlet containing his attack on
Shakespeare, 57

Guizot, Francois, revision of Le Tourneur's translation by, 350

'Gulling sonnets,' Sir John Davies's, 106 107 435 436
Shakespeare's Sonnet xxvi. parodied in, 128 _n_

H

'H., Mr. W.,' 'patron' of Thorpe's pirated issue of the Sonnets, 92
identified with William Hall, 92 402 403
his publication of Southwell's 'A Foure-fould Meditation,' 92
erroneously said to indicate the Earl of Pembroke, 94 406-415
improbability of the suggestion that a William Hughes was indicated,
93 _n_
'W. H.'s' true relations with Thomas Thorpe, 390-405

Hacket, Marian and Cicely, in the _Taming of the Shrew_, 164-6

Hal, Prince, 169 173

Hales, John (of Eton), on the superiority of Shakespeare to all other
poets, 328 and _n_

Hall, Elizabeth, the poet's granddaughter, 192 266 275
her first marriage to Thomas Nash, and her second marriage to John
Barnard (or Bernard), 282
her death and will, 282 283

Hall, Dr. John, the poet's son-in-law, 266 268 273 281

Hall, Mrs. Susanna, the poet's elder daughter, 192 205 266
inherits the chief part of the poet's estate, 275 281
her death, her 'witty' disposition, 281

Hall, William (1), on the inscription over the poet's grave, 272 and _n_
2 362

Hall, William (2), see 'H., Mr. W.'

Halliwell-Phillipps, James Orchard, the indenture of the poet's property
in Blackfriars in the collection of, 267 _n_
his edition of Shakespeare, 325 312
his great labours on Shakespeare's biography, 333 363 364

_Hamlet_: parallelisms in the _Electra_ of Sophocles, the _Andromache_ of
Euripides, and the _Persae_ of AEschylus, 13 _n_
Polonius's advice to Laertes borrowed from Lyly's _Euphues_, 62 _n_
allusion to boy-actors, 213 _n_ 2 214 and _n_ 1 216
date of production, 221
previous popularity of the story on the stage, 221 and _n_
sources drawn upon by the poet, 221-2
success of Burbage in the title-part, 222
the problem of its publication, 222-4
the three versions, 222-4
Theobald's emendations, 224
its world-wide popularity, 224
the