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to be long, and that to be followed by a genial winter, which, if it be as frosty as his hair, shall also be as kindly as his heart. [Applause.] He has enough excess and versatility of ability to be a genius. He has enough quality and quantity of virtues to be a saint. But he has honorably transmuted his genius into work, whereby it has been brought into relations with literature and with life. And he has preferred warm fellowship to cold perfection, so that sinners love him and saints are content to wait for him. May they wait long. [Applause.] I think he is entitled to be regarded as the Dean of America's humor; that he is entitled to the distinction of being the greatest humorist this nation ever had. I say this with a fair knowledge of the chiefs of the entire corps, from Francis Hopkinson and the author of "Hasty Pudding," down to Bill Nye and Dooley. None of them would I depreciate. I would greatly prefer to honor and hail them all for the singular fittedness of their gifts to the needs of the nation in their times. Hopkinson and Joel Barlow lightened the woes of the Revolution by the touch of nature that makes the whole world grin. Seba Smith relieved the Yankee sense of tension under the impact of Jacksonian roughness, by tickling its ribs with a quill. Lieutenant Derby turned the searchlight of fun on the stiff formalities of army posts, on the raw conditions of alkali journalism and on the solemn humbugs of frontier politics. James Russell Lowell used dialect for dynamite to blow the front off hypocrisy or to shatter the cotton commercialism in which the New England conscience was encysted. Robert H. Newell, mirth-maker and mystic, satirized military ignorance and pinchbeck bluster to an immortality of contempt. Bret Harte in verse and story touched the parallels of tragedy and of comedy, of pathos, of bathos, and of humor, which love of life and lust of gold opened up amid the unapprehended grandeurs and the coveted treasures of primeval nature. Charles F. Browne made "Artemus Ward" as well known as Abraham Lincoln in the time the two divided the attention of the world. Bill Nye singed the shams of his day, and Dooley dissects for Hinnissey the shams of our own. Nor should we forget Eugene Field, the beatifier of childhood; or Joel Chandler Harris, the fabulist of the plantation; or Ruth McEnery Stuart, the coronal singer of the joys and hopes, the loves and the dreams of the images of God in ebony in the
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