their intercourse, 155;
Bruno denounced to the Inquisition by Mocenigo, 157.

---Luigi, on the relations between Pius IV. and Cardinal Morone, i. 110 _n._

MODENA and Bologna, humors of the conflict between, ii. 304.

MONOPOLIES, system of, in Italy, i. 49.

MONTALTO, Cardinal, nephew of Sixtus V., i. 157.

MONTEBELLO, Baron, the tale of, i. 428.

MONTECATINO, Antonio, an enemy of Tasso at Ferrara, ii. 48, 50, 60, 62;
his downfall, 66.

MONTE OLIVETO, the monastery of, Tasso at, ii, 74.

MONZA, the Lady of, _see_ LEYVA, VIRGINIA MARIA DE.

MORALS, social and domestic, in Italy, effect of the
Catholic Revival on, i. 301 _sqq._;
outcome of the Tridentine decrees, 302;
hypocrisy and ceremonial observances, 303;
sufferings of the lower classes, _ib._;
increase of crimes of violence, 304;
mistrust between the aristocracy and the _bourgeoisie_, 306;
survival of mediaeval habits, _ib._;
brigandage, 307;
criminal procedure, 308;
mutual jealousy of States afforded security to refugee homicides, 309;
toleration of outlaws, 310;
the Lucchese army of bandits, 311;
honorable murder, 312;
maintenance of _bravi_, _ib._;
social violence countenanced by the Church, 314;
sexual morality, 315;
state of convents, 316;
profligate fanaticism, _ib._;
convent intrigues, 318 _sqq._

MORATO, Peregrino, letter from Celio Calcagnini to, i. 74.

MORNAY, Duplessis, Sarpi's letters to, ii. 229.

MORONE, Cardinal, i. 26;
Papal legate at Trent, 97 _n._;
imprisoned by Paul IV., 110;
relations with Pius IV., _ib._;
liberal thinkers among his associates, 111 _n._;
his work in connection with the Council of Trent, 127.

---Girolamo, i. 26, 72.

MUNICIPAL wars, Italian, ii. 304.

MURDERS in Italy in the sixteenth century, i. 305 _sqq._

MURETUS:
his difficulties as a professor in Rome, i. 214, 216.

MURTOLA, Gasparo, attempted assassination of the poet Marino by, ii. 263.

MUSIC, Italian, decadence of, in the sixteenth century, ii. 315;
foreign musicians in Rome, 316;
the contrapuntal style, 317;
licenses allowed to performers, _ib._;
the medleys prepared by composers, _ib._;
disgraceful condition of Church music, 318;
orchestral _ricercari_, 320 _n._;
Savonarola's opinion of the Church music of his time, _ib._;
musical aptitude of the people, 322;
lack of a controlling element of correct taste, _ib._;
advent of Palestrina, _ib._;
the Congregati