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ys alone. Strangely and wonderfully it blends itself with those other moments when the best books in the world seem irrelevant, and all "culture" an impertinent intrusion; but however it comes and however it goes, it is the thing that makes our gravity ridiculous; our philosophy pedantic. It is the thing that gives to the "amusements" of the imagination that touch of burning fire; that breath of wider air; that taste of sharper salt, which, arriving when we least expect it, and least--heaven knows--deserve it, makes any final opinion upon the stuff of this world vain and false; and any condemnation of the opinions of others foolish and empty. It destroys our assurances as it alleviates our miseries, and in some unspeakable way, like a primrose growing on the edge of a sepulchre, it flings forth upon the heavy night, a fleeting signal, "Bon espoir y gist au fond!" ONE HUNDRED BEST BOOKS 1. THE PSALMS OF DAVID. The Psalms remain, whether in the Latin version or in the authorized English translation, the most pathetic and poignant, as well as the most noble and dignified of all poetic literature. The rarest spirits of our race will always return to them at every epoch in their lives for consolation, for support and for repose. 2. HOMER. THE ODYSSEY. _Butcher and Lang's Prose Translation_. The Odyssey must continue to appeal to adventurous persons more powerfully than any other of the ancient stories because, blent with the classic quality of its pure Greek style, there can be found in it that magical element of thrilling romance, which belongs not to one age, but to all time. 3. THE BACCHANALS. THE BACCHAE OF EURIPIDES. _Translated by Professor Gilbert Murray_. Euripides, the favourite poet of John Milton and Goethe, is the most modern in feeling, the most romantic in mood of all the Greek poets. One is conscious that in his work, as in the sculpture of Praxiteles, the calm beauty of the Apollonian temper is touched by the wilder rhythm of the perilous music of Dionysus. 4. HORACE. _Any selection in Latin of The Odes of Horace and complete prose translation published by Macmillan_. Flawlessly hammered out, as if from eternal bronze--"aere perennius"--The Odes of Horace are the consummate expression of the pride, the reserve, the tragic playfulness, the epicurean calm, the absolute distinction of the Imperial Roman spirit. A few lines taken at random and learned by heart would act as
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