ing through the Luxembourg Gardens, may
perhaps startle certain gentle souls, but the Dorian delicacy of what
might for a moment appear blasphemous robs this charming Idyll of any
gross or merely popular profanity. It is a book for those who have
passed through more than one intellectual Renaissance. Like the
"Golden Ass" of Apuleius it has a philosophical justification for its
mythological audacity.

38. PAUL BOURGET. LE DISCIPLE.

"Le Disciple" is perhaps the best work of this voluminous and
interesting writer. Devoid of irony, deficient in humor, lacking any
large imaginative power, Paul Bourget holds, all the same, an
unassailable place among French writers. Though a devoted adherent of
Goethe and Stendhal, Bourget represents, along with Bordeaux, the
conservative ethical reaction. He upholds Catholicism and the
sacredness of the "home." He is a master in plot and has a clear,
vigorous and appealing style. A gravely portentous sentiment sometimes
spoils his tragic effects; but every lover of Paris will enjoy the
unctuous elaboration of the "backgrounds" of his stories, touched
often with the most delicate and mellow evocations of that City's
atmosphere.

39. ROMAIN ROLLAND. JEAN CHRISTOPHE. _Translated by Gilbert Cannan_.

Rolland's "Christophe" is without doubt the most remarkable book that
has appeared in Europe since Nietzsche's "Ecce Homo."

It is a profoundly suggestive treatise upon the relations between art
and life. It contains a deep and heroic philosophy--the philosophy of
the worship of the mysterious life-force as God; and of the reaching
out beyond the turmoil of good and evil towards some vast and dimly
articulated reconciliation. Since "Wilhelm Meister" no book has been
written more valuable as an intellectual ladder to the higher levels
of aesthetic thought and feeling.

Massive and dramatic, powerful and suggestive, it magnetizes us into
an acceptance of its daring and optimistic hopes for the world; of its
noble suggestions of a spiritual synthesis of the opposing
race-traditions of Europe. Of all the books mentioned in this list it
is the one which the compiler would most strongly recommend to the
notice of those anxious to win a firmer intellectual standing-ground.

40. GABRIELE D'ANNUNZIO. THE FLAME OF LIFE. THE TRIUMPH OF DEATH.
_Translated by Arthur Hornblow_.

D'Annunzio is the most truly Italian, the most inveterately Latin, of
all recent writers. Without light and sha