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n upsetting the pseudo-historical, pseudo-philosophical illusions of Anglo-Saxons, in charmingly ridiculous pantomimes, which the redeeming humor of that patient race has just intelligence enough thoroughly to enjoy. If he were himself less moralistically earnest the spice of the jest would disappear. His humor is not universal humor. It is topical humor; and topical humor derives its point from moral contrast,--the contrast in this case between the virtue of Mr. Shaw and the vices of modern society. "Man and Superman" is undoubtedly his most interesting work from a philosophical point of view, but his later plays--such bewitching farces as "Fanny's First Play," "Androcles," and "Pygmalion"--seem to express more completely than anything else that rollicking combative roguishness which is his most characteristic quality. 86. GILBERT K. CHESTERTON. ORTHODOXY. Mr. Chesterton may congratulate himself upon being the only man of letters in England who has had the originality or the insight or the temperamental courage to adopt a definitely reactionary philosophy; whereas in France we have Huysmans, Barres, Bourget, Bordeaux, and many others, whose persuasive and romantic role it is to prop up tottering altars; in England we have only Mr. Chesterton. That is doubtless why it is necessary for him to exaggerate his paradoxes so extravagantly; and also why he is so important and so dear to the hearts of intelligent clergymen. Mr. Chesterton's grand philosophical "coup" is a simple and effective one--the turning of everything, complacently and hilariously, upside down. One has the salutary amusement in reading him of visualizing the Universe in the posture of a Gargantuan baby, "prepared" for a sound smacking. Mr. Chesterton himself is the chief actor in this performance and wonderful pyrotechnic stars leap into space as its happy result. Mr. Chesterton has his own peculiar "religion"--a sort of Chelsea Embankment Catholicism, in which, in place of Pontifical Encyclicals, we have Punch and Judy jokes, and in place of Apostolic Doctrine we have umbrellas, lamp-posts, electric-signs and prestidigitating clerics. Mr. Chesterton is never more entertaining, never more entirely at ease, than when turning one or other of the really noble and tragic figures of human intellect into preposterous "Aunt Sallies" at whose battered heads he can fling the turnips and potatoes of the Average Man's average suspicion, dipped
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