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The Project Gutenberg eBook, The Mirror of Literature, Amusement, and Instruction, Vol. 13, Issue 371, May 23, 1829, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction, Vol. 13, Issue 371, May 23, 1829 Author: Various Release Date: March 6, 2004 [eBook #11487] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION, VOL. 13, ISSUE 371, MAY 23, 1829*** E-text prepared by Jonathan Ingram, Margaret, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 11487-h.htm or 11487-h.zip: (http://www.ibiblio.org/gutenberg/1/1/4/8/11487/11487-h/11487-h.htm) or (http://www.ibiblio.org/gutenberg/1/1/4/8/11487/11487-h.zip) THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOL. 13, NO. 371.] SATURDAY, MAY 23, 1829. [PRICE 2d. * * * * * THE FORTUNE PLAYHOUSE. [Illustration: The Fortune Playhouse.] The Engraving represents one of the playhouses of Shakspeare's time, as the premises appeared a few years since. This theatre was in Golden Lane, Barbican, and was built by that celebrated and benevolent actor Edward Alleyn, the pious founder of Dulwich College, in 1599. It was burnt in 1624, but rebuilt in 1629. A story is told of a large treasure being found in digging for the foundation, and it is probable that the whole sum fell to Alleyn. Upon equal probability, is the derivation of the name "The Fortune." The theatre was a spacious brick building, and exhibited the royal arms in plaster on its front. These are retained in the Engraving; where the disposal of the lower part on the building into shops, &c. is a sorry picture of the "base purposes" to which a temple of the Drama has been converted. According to the testimony of Ben Jonson and others, Alleyn was the first actor of his time, and of course played leading characters in the plays of Shakspeare and Jonson. He was probably the Kemble of his day, for his biographers tell us such
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