ged to it, and the sentence to be
inflicted on such as stand mute, read to him, in vain. Four or five
persons in the court, swore that they had heard him speak, and the boy
who was his accomplice, and apprehended, was there to be a witness
against him; yet he continued mute; whereupon he was carried back to
Horsham gaol, to be pressed to death, if he would not plead--when they
laid on him 100 weight, then added 100 more, and he still continued
obstinate; they then added 100 more, which made 300 lb. weight, yet he
would not speak; 50 lb. more was added, when he was nearly dead, having
all the agonies of death upon him; then the executioner, who weighed
about 16 or 17 stone, laid down upon the board which was over him, and,
adding to the weight, killed him in an instant. G.K.

* * * * *

LATE INSTRUCTION.

Socrates in his old age, learned to play upon a musical instrument.
Cato, aged 80, began to learn Greek; and Plutarch, in his old age,
acquired Latin. John Gelida, of Valentia, in Spain, did not begin the
study of _belles-lettres_, until he was 40 years old.

Henry Spelman, having in his youth neglected the sciences, resumed them
at the age of 50, with extraordinary success.

Fairfax, after having been the general of the parliamentary army in
England, went to Oxford, and took his degree as Doctor-of-Law. Colbert,
when minister, and almost 60 years of age, returned to his Latin and his
law, in a situation where the neglect of one, if not both, might have
been thought excusable; and Mons. Le Tellier, chancellor of France,
reverted to the learning of logic that he might dispute with his
grand-children.

Sir John Davies, at the age of 25, produced a poem on "The Immortality
of the Soul," and in his 62nd year, as Mr. Thomas Campbell facetiously
observes, when a judge and a statesman, another on _dancing_.

* * * * *

THE NOVELIST.

* * * * *

ANNE OF GEIERSTEIN.

[As Sir Walter Scott's new work has not reached us in time to enable us
to fill in the outline of the story in our present Number, we give a few
sketchy extracts, or portraits,--such as will increase the interest for
the appearance of the Narrative.

There are some admirable specimens of Swiss scenery, which have the
effect of sublime painting: witness the following attempt of two
travellers, father and son, who with their guide, are bewildered i