all originals, it was obliged to wait for the death of
the envious and the self-loving, before it acquired a popularity which
surpassed all precedent. Foscolo says, that Macchiavelli and Ariosto,
"the two writers of that age who really possessed most excellence, were
the least praised during their lives. Bembo was approached in a posture
of adoration and fear; the infamous Aretino extorted a fulsome letter of
praises from the great and the learned[56]." He might have added, that
the writer most in request "in the circles" was a gentleman of the name
of Bernardo Accolti, then called the _Unique_, now never heard of.
Ariosto himself eulogised him among a shoal of writers, half of whose
names have perished; and who most likely included in that half the men
who thought he did not praise them enough. For such was the fact! I
allude to the charming invention in his last canto, in which he supposes
himself welcomed home after a long voyage. Gay imitated it very
pleasantly in an address to Pope on the conclusion of his Homer. Some of
the persons thus honoured by Ariosto were vexed, it is said, at not being
praised highly enough; others at seeing so many praised in their company;
some at being left out of the list; and some others at being mentioned at
all! These silly people thought it taking too great a liberty! The poor
flies of a day did not know that a god had taken them in hand to give
them wings for eternity. Happily for them the names of most of these
mighty personages are not known. One or two, however, took care to make
posterity laugh. Trissino, a very great man in his day, and the would-be
restorer of the ancient epic, had the face, in return for the poet's
too honourable mention of him, to speak, in his own absurd verses, of
"Ariosto, with that _Furioso_ of his, which pleases the vulgar:"

"L' Ariosto
Con quel _Furioso_ suo the piace al volgo."

"_His_ poem," adds Panizzi, "has the merit of not having pleased any
body[57]." A sullen critic, Sperone (the same that afterwards plagued
Tasso), was so disappointed at being left out, that he became the poet's
bitter enemy. He talked of Ariosto taking himself for a swan and "dying
like a goose" (the allusion was to the fragment he left called the _Five
Cantos_). What has become of the swan Sperone? Bernardo Tasso, Torquato's
father, made a more reasonable (but which turned out to be an unfounded)
complaint, that Ariosto had established a precedent which poets would
f