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Faust_. In _The Wild Duck_, in _Rosmersholm_, in _Hedda Gabler_, even in _Little Eyolf_ and _John Gabriel Borkman_, there remain faint traces of the French leaven which is so strong in the earlier plays. But _The Master Builder_ had no model and has no parallel. It shows no slightest vestige of outside influence. It is Ibsen, and nothing but Ibsen. W.A. *FOOTNOTES. (1)"To the May-sun of a September life--in Tyrol." (2)"High, painful happiness--to struggle for the unattainable!" (3)_Neus deutsche Rundschau_, December, 1906, p.1462. (4)This conception I have worked out at much greater length in an essay entitled _The Melody of the Master Builder_, appended to the shilling edition of the play, published in 1893. I there retell the story, transplanting it to England and making the hero a journalist instead of an architect, in order to show that (if we grant the reality of certain commonly-accepted phenomena of hypnotism) there is nothing incredible or even extravagantly improbable about it. The argument is far too long to be included here, but the reader who is interested in the subject may find it worth referring to. (5)For an instance of the technical methods by which he suggested the supernormal element in the atmosphere of the play, see Introduction to _A Doll's House_, p. xiv. THE MASTER BUILDER. PLAY IN THREE ACTS. CHARACTERS. HALVARD SOLNESS, Master Builder. ALINE SOLNESS, his wife. DOCTOR HERDAL, physician. KNUT BROVIK, formerly an architect, now in SOLNESS'S employment. RAGNAR BROVIK, his son, draughtsman. KAIA BROVIK, his niece, book-keeper. MISS HILDA WANGEL. Some Ladies. A Crowd in the street. The action passes in and about SOLNESS'S house. ACT FIRST. A plainly-furnished work-room in the house of HALVARD SOLNESS. Folding doors on the left lead out to the hall. On the right is the door leading to the inner rooms of the house. At the back is an open door into the draughtsmen's office. In front, on the left, a desk with books, papers and writing materials. Further back than the folding door, a stove. In the right- hand corner, a sofa, a table, and one or two chairs. On the table a water-bottle and glass. A smaller table, with a rocking-chair and arm-chair, in front on the right. Lighted lamps, with shades, on the table in the draughtmen's office, on the table in th
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