ve "My house" on their tongue.
They would do better to say, "Our book," "Our commentary," "Our
history," etc., because there is in them usually more of other people's
than their own.
44
Do you wish people to believe good of you? Don't speak.
45
Languages are ciphers, wherein letters are not changed into letters, but
words into words, so that an unknown language is decipherable.
46
A maker of witticisms, a bad character.
47
There are some who speak well and write badly. For the place and the
audience warm them, and draw from their minds more than they think of
without that warmth.
48
When we find words repeated in a discourse, and, in trying to correct
them, discover that they are so appropriate that we would spoil the
discourse, we must leave them alone. This is the test; and our attempt
is the work of envy, which is blind, and does not see that repetition is
not in this place a fault; for there is no general rule.
49
To mask nature and disguise her. No more king, pope, bishop--but _august
monarch_, etc.; not Paris--_the capital of the kingdom_. There are
places in which we ought to call Paris, Paris, and others in which we
ought to call it the capital of the kingdom.
50
The same meaning changes with the words which express it. Meanings
receive their dignity from words instead of giving it to them. Examples
should be sought....
51
Sceptic, for obstinate.
52
No one calls another a Cartesian[17] but he who is one himself, a pedant
but a pedant, a provincial but a provincial; and I would wager it was
the printer who put it on the title of _Letters to a Provincial_.
53
A carriage _upset_ or _overturned_, according to the meaning _To spread
abroad_ or _upset_, according to the meaning. (The argument by force of
M. le Maitre[18] over the friar.)
54
_Miscellaneous._--A form of speech, "I should have liked to apply myself
to that."
55
The _aperitive_ virtue of a key, the _attractive_ virtue of a hook.
56
To guess: "The part that I take in your trouble." The Cardinal[19] did
not want to be guessed.
"My mind is disquieted." _I am disquieted_ is better.
57
I always feel uncomfortable under such compliments as these: "I have
given you a great deal of trouble," "I am afraid I am boring you," "I
fear this is too long." We either carry our audience with us, or
irritate them.
58
You are ungraceful: "Excuse me, pray." Without th
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