ctorian writer, Miss Charlotte M.
Yonge. The Rood in the rebuilt church was erected to her memory nearly
twenty years ago. The tall granite cross in the pretty churchyard
commemorates the incumbency of Keble, the author of the _Christian
Year_, who was also vicar of Hursley, three miles away to the
north-west, where a beautiful church was erected through his efforts
on the site of an eighteenth-century building, and, it is said, paid
for by royalties on his famous book. At Hursley Park Richard Cromwell
resided during the Protectorate of his father. He is buried with his
wife and children in Hursley church.

[Illustration: ROMSEY ABBEY.]

A road runs westwards from near the summit of Otterbourne Hill through
the beautiful woods of Hiltingbury and Knapp Hill to the valley of the
Test at Romsey. There are a couple of inns and a few scattered houses,
but no village on the lonely seven miles until the parallel valley is
reached.

Romsey Abbey dates from the reign of Edward the Elder, and his
daughter, St. Alfreda, was first Abbess. Another child of a
king--Mary, daughter of Stephen--became Abbess in 1160, and her uncle,
Henry de Blois of Winchester, built the greater part of the present
church about 1125, the western portion of the nave following between
1175 and 1220. The building is 263 feet long and 131 feet broad across
the transepts. The interior is an interesting study in Norman
architecture and the change to Early English is nowhere seen to better
advantage. Portions of the foundations of the Saxon church were laid
bare during repairs to the floor in 1900. A section is shown beneath a
trap door near the pulpit.

A peculiar arrangement of the eastern ends of the choir aisles is
noteworthy. They are square as seen from the exterior, but prove to be
apsidal on entering. At the end of the south choir aisle, forming a
reredos to the side altar, an ancient Saxon Rood will be seen; the
Figure is sculptured in an archaic Byzantine style. The Jacobean altar
in the north choir aisle was once in the chancel and had above it
those old-fashioned wooden panels of the Lord's Prayer and Ten
Commandments that may still be met with occasionally. When these were
removed an ancient painted reredos was found behind them. It is now
placed in the north choir aisle. The subject is the Resurrection and
the painting is dated at about 1380. In a glass case is the Romsey
Psalter which, after many vicissitudes, has become once more the
prop