FREE BOOKS

Author's List




PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   72   73   74   75   76   77   78   79   80   81   >>  
. Nay, even I may say about the first edition of "Ballades in Blue China" (1880), as Gibbon said of his "Essay on the Study of Literature:" "The primitive value of half a crown has risen to the fanciful price of a guinea or thirty shillings," or even more. I wish I had a copy myself, for old sake's sake. Certain modern books, "on large paper," are safe investments. The "Badminton Library," an English series of books on sport, is at a huge premium already, when on "large paper." But one should never buy the book unless, as in the case of Dr. John Hill Burton's "Book-Hunter" (first edition), it is not only on large paper, and not only rare (twenty- five copies), but also readable and interesting. {7} A collector should have the taste to see when a new book is in itself valuable and charming, and when its author is likely to succeed, so that his early attempts (as in the case of Mr. Matthew Arnold, Lord Tennyson, and a few others of the moderns) are certain to become things of curious interest. You can hardly ever get a novel of Jane Austen's in the first edition. She is rarer than Fielding or Smollett. Some day it may be the same in Miss Broughton's case. Cling to the fair and witty Jane, if you get a chance. Beware of illustrated modern books in which "processes" are employed. Amateurs will never really value mechanical reproductions, which can be copied to any extent. The old French copper-plate engravings and the best English mezzo-tints are so valuable because good impressions are necessarily so rare. One more piece of advice. Never (or "hardly ever") buy an imperfect book. It is a constant source of regret, an eyesore. Here have I Lovelace's "Lucasta," 1649, _without the engraving_. It is deplorable, but I never had a chance of another "Lucasta." This is not a case of _invenies aliam_. However you fare, you will have the pleasure of Hope and the consolation of books _quietem inveniendam in abditis recessibus et libellulis_. ROCHEFOUCAULD _To the Lady Violet Lebas_. Dear Lady Violet,--I am not sure that I agree with you in your admiration of Rochefoucauld--of the _Reflexions, ou Sentences et Maximes Morales_, I mean. At least, I hardly agree when I have read many of them at a stretch. It is not fair to read them in that way, of course, for there are more than five hundred _pensees_, and so much _esprit_ becomes fatiguing. I doubt if people study them much. Five or six of them ha
PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   72   73   74   75   76   77   78   79   80   81   >>  



Top keywords:

edition

 
chance
 

Violet

 
Lucasta
 

valuable

 

modern

 
English
 

stretch

 

impressions

 

constant


source

 
regret
 

eyesore

 

imperfect

 

advice

 

necessarily

 

engravings

 
mechanical
 

reproductions

 

hundred


employed

 

Amateurs

 

pensees

 

copied

 

esprit

 
copper
 
extent
 

French

 
libellulis
 

ROCHEFOUCAULD


processes
 

recessibus

 

abditis

 

people

 
admiration
 

Reflexions

 

Rochefoucauld

 

inveniendam

 
Sentences
 

engraving


Morales

 
deplorable
 

Lovelace

 

invenies

 

consolation

 
Maximes
 

quietem

 
pleasure
 

However

 

fatiguing