FREE BOOKS

Author's List




PREV.   NEXT  
|<   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115  
116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   >>   >|  
ness. The young woman who respects her own intellectual and moral powers will see little charm in manipulating cards in a way to gain a momentary success over another and perhaps arousing unkind feelings, it may be even passions, that may culminate in bloodshed. _Theatre-going._ It is natural that we should enjoy pictorial representation of human life with living actors and audible words; and, understanding this, many good people have had the hope that the stage might be purified and made a teacher of morals. Certainly valuable lessons of life might be most strongly presented in this concrete form, and thus appeal with wonderful power to the young and inexperienced. But that it might be so used does not insure that it will be, and observation shows us that it is not. The modern play concerns itself principally with a delineation of those phases of life which we condemn when they become reality, and the teaching power of the stage becomes a lesson in wrongdoing which to the young and inexperienced is potent in its suggestiveness. The costumes of actresses are often immodest, and many of these women are immoral in character. It would not be just to condemn all actors with the sweeping assertion of immorality, but all will admit that the temptations are great, and that great moral force is needed to resist the influences that lead towards wrong. That many of our great actors will not permit their children to become actors, or, in some cases, even to enter the theatre as a witness of its performances, speaks strongly on the matter. In the consideration of this subject the girl may safely decide that she will not be a permanent loser if she is not a frequenter of the theatre. It is safer to keep the mind pure and untainted from all pictures of sin, more especially if they are made attractive by the glamour of jewels and silken attire, of music, dancing, and lifelike portrayal. PART III. LOVE; HEREDITY; ENGAGEMENTS. CHAPTER XXV. LOVE. In our study we have first learned of general and then of special physiology, so, in continuing the same study in mental and moral fields, we first learn of the general and then of our special relation to others. We cultivate body, mind and spirit because it is our duty to develop ourselves for our own interests; but it is also our duty to cultivate all our powers because of our responsibility in regard to others. This responsibility I will include in
PREV.   NEXT  
|<   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115  
116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   >>   >|  



Top keywords:
actors
 

theatre

 

strongly

 

inexperienced

 

condemn

 

general

 
cultivate
 
powers
 

responsibility

 
special

decide

 

safely

 
influences
 

subject

 

permanent

 

frequenter

 

needed

 

resist

 
consideration
 
performances

permit

 

children

 
matter
 
witness
 

speaks

 

dancing

 

fields

 
relation
 

mental

 

learned


physiology

 

continuing

 

spirit

 

regard

 
include
 

interests

 
develop
 

CHAPTER

 
attractive
 

pictures


untainted

 

glamour

 

jewels

 
HEREDITY
 

ENGAGEMENTS

 

portrayal

 

lifelike

 

silken

 

attire

 
wrongdoing