e kirk-bell."

The Scottish lyrics, lying all about, thus countless and scattered--

"Thick as autumnal leaves that strew the brooks
In Vallambrosa"--

are not like those which mark and adorn the literature of many other
countries, the euphonisms of a meretricious court, or the rhymed musings
of philosophers, or conceits from Pagan mythology, or the glancing
epigrams of men of wit and of the world, or mere hunting choruses and
Bacchanalian catches of a rude squirearchy. They are the ballads, songs,
and tunes of the people. In their own language, but that language
glittering from the hidden well of poesy--in ideas which they at once
recognise as their own, because photographed from nature--these lyrics
embody the loves and thoughts of the people, the themes on which they
delight to dwell, even their passions and prejudices; and vibrate in
their memories, quickening the pulses of life, knitting them to the Old
Land, and shedding a poetic glow over all the commonplaces of existence
and occupation. It is the faithful popular memory, more than anything
else, which has been the ark to save the ancient lyrics of Scotland. Not
only so, but there is reason to believe that our national lyrics have,
generally speaking, been creations of the men, and sometimes of the
women, of the people. They are the people's, by the title of origin, no
less than by the feeling of sympathy.

This, of course, is clear, as regards the great masters of the lyre who
have appeared within the period of known authorship--Ramsay, Burns,
Tannahill, Hogg, and Cunningham. The authors of the older lyrics--I mean
both compositions and tunes--are, with few exceptions, absolutely
unknown; but were there room here for discussion, it might be shewn that
all the probabilities lead up, principally, to the ancient order of
Minstrels, who from very early times were nearly as much organised and
privileged and honoured in Scotland, as ever were the troubadours in
Provence and Italy. Ellis, in the Introduction to his "Specimens of
Early English Metrical Romances," alluding to Scott's publication of
"Sir Tristrem," remarks--"He has shewn, by a reference to ancient
charters, that the Scottish minstrels of this early period enjoyed all
the privileges and distinctions possessed by the Norman trouveurs, whom
they nearly rivalled in the arts of narration, and over whom they
possessed one manifest advantage, in their familiar acquaintance with
the usual scenes of ch