asant to me was his soul's ardent flow;
"Remember what Morard says,
Morard of many days,
Life's like the dew on the hill of the roe.
"Son of the peaceful vale, keep from the battle plain,
Sad is the song that the bugle-horns sing;
Though lovely the standard it waves o'er the mangled slain,
Widows' sighs stretching its broad gilded wing.
Hard are the laws that bind
Poor foolish man and blind;
But free thou may'st walk as the breezes that blow,
Thy cheeks with health's roses spread,
Till time clothes with snow thy head,
Fairer than dew on the hill of the roe.
"Wouldst thou have peace in thy mind when thou'rt hoary,
Shun vice's paths in the days of thy bloom;
Innocence leads to the summit of glory,
Innocence gilds the dark shades of the tomb.
The tyrant, whose hands are red,
Trembles alone in bed;
But pure is the peasant's soul, pure as the snow,
No horror fiends haunt his rest,
Hope fills his placid breast,
Hope bright as dew on the hill of the roe."
Ceased the soft voice, for gray mist was descending,
Slow rose the bard and retired from the hill,
The blackbird's mild notes with the thrush's were blending,
Oft scream'd the plover her wild notes and shrill,
Yet still from the hoary bard,
Methought the sweet song I heard,
Mix'd with instruction and blended with woe;
And oft as I pass along,
Chimes in mine ear his song,
"Life's like the dew on the hill of the roe."
ISOBEL PAGAN.
The author of a sweet pastoral lyric, which has been praised both by
Robert Burns and Allan Cunningham, Isobel Pagan claims a biographical
notice. She was born in the parish of New Cumnock, Ayrshire, about the
year 1741. Deserted by her relations in youth, and possessing only an
imperfect education, she was led into a course of irregularities which
an early moral training would have probably prevented. She was lame and
singularly ill-favoured, but her manners were spirited and amusing. Her
chief employment was the composition of verses, and these she sung as a
mode of subsistence. She published, in 1805, a volume of doggerel
rhymes, and was in the habit of satirising in verse those who had
offended her. Her one happy effort in song-making has preserved her
name. She lived chiefly in the neighbourhood of Muirkirk. She died on
the 3d November 1821, in her eightieth ye
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