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ich is all that is necessary; the _most_ that should be allowed may be given by a little burnishing with the handle of the tool. CHAPTER XXVI CRAFT SCHOOLS, PAST AND PRESENT The Country Craftsman of Old Times--A Colony of Craftsmen in Busy Intercourse--The Modern Craftsman's Difficulties: Embarrassing Variety of Choice. The present revival of interest in the arts, especially with regard to those of a decorative kind, is based on the recently awakened esthetic desires of a small section of the general public, who owe their activity in this direction to the influence of men like John Ruskin and William Morris. The first of these, by his magic insight, discerned the true source of vitality which lay in the traditions of medieval workmanship, i.e., their intensely _human_ character and origin. His fiery words compelled attention, and awakened a new enthusiasm for all that betokens the direct and inspiring influence of nature. They raised the hope that this passion might in some way provide a clue to the recovery of a fitting form of expression. William Morris, with no less power as a craftsman, was the first to give practical embodiment to this newly awakened impulse by a modified return to the older methods of production. His rare knowledge of medieval history, and manly sympathy with all that is generous in modern life, made it impossible for him to become a superficial imitator. His work is an example of what may be achieved by a union of high artistic instincts with a clear understanding of the conditions of modern life. Cheering as is the present activity in its encouragement of endeavor, the difficulties of establishing anything like an efficient system of education for the artist, more especially the sculptor, or carver artist, is only being gradually realized. The difficulties are not so much academic as practical. It is less a question of where to study than one of knowing what direction those studies should take. Before any genuine development in the art can be looked for, continuity of effort must be established, and that in a single direction, undisturbed as it is at present by differences of public taste. Opportunities for study are now afforded to an extent never before dreamed of: in books and schools, and in museums; but division of opinion mars the authority of the two first, while the last is confessedly but a kind of catalogue, which may only be read with profit by
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