ich is all that is necessary; the _most_ that should
be allowed may be given by a little burnishing with the handle of the
tool.
CHAPTER XXVI
CRAFT SCHOOLS, PAST AND PRESENT
The Country Craftsman of Old Times--A Colony of Craftsmen in Busy
Intercourse--The Modern Craftsman's Difficulties: Embarrassing
Variety of Choice.
The present revival of interest in the arts, especially with regard to
those of a decorative kind, is based on the recently awakened esthetic
desires of a small section of the general public, who owe their activity
in this direction to the influence of men like John Ruskin and William
Morris. The first of these, by his magic insight, discerned the true
source of vitality which lay in the traditions of medieval workmanship,
i.e., their intensely _human_ character and origin. His fiery words
compelled attention, and awakened a new enthusiasm for all that betokens
the direct and inspiring influence of nature. They raised the hope that
this passion might in some way provide a clue to the recovery of a
fitting form of expression.
William Morris, with no less power as a craftsman, was the first to
give practical embodiment to this newly awakened impulse by a modified
return to the older methods of production. His rare knowledge of
medieval history, and manly sympathy with all that is generous in modern
life, made it impossible for him to become a superficial imitator. His
work is an example of what may be achieved by a union of high artistic
instincts with a clear understanding of the conditions of modern life.
Cheering as is the present activity in its encouragement of endeavor,
the difficulties of establishing anything like an efficient system of
education for the artist, more especially the sculptor, or carver
artist, is only being gradually realized. The difficulties are not so
much academic as practical. It is less a question of where to study than
one of knowing what direction those studies should take. Before any
genuine development in the art can be looked for, continuity of effort
must be established, and that in a single direction, undisturbed as it
is at present by differences of public taste.
Opportunities for study are now afforded to an extent never before
dreamed of: in books and schools, and in museums; but division of
opinion mars the authority of the two first, while the last is
confessedly but a kind of catalogue, which may only be read with profit
by
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