important as handicraft, 149

Execution and design, 88, 249

Exning, chair at, 145

Figures, or animals, in carving, 161, 191

Finish, surface--texture, 234

Florence, the Duomo at, 257

Flowers as subjects, 158

Foliage, 115, 153, 159

Font canopy, 233, 268, 298

Foreshortening as applied to work in relief, 205

Forms, imitation of natural, 82

Forms, plant, list of, 153

Forms, rounded, 88

Free rendering, 96

Fruit subjects, 94, 157, 159

Furniture, carving on, 161

Gerrard's "Herbal," a source of design, 160

Gibbons, Grinling, 62, 85, 153, 215

Glass paper, 107, 164

Gothic capital in Southwell Minster, 96

Gothic carvings, 96, 180, 229, 249

Gothic influence, 249

Gouges, 31, 34, 35

Gouges, sharpening, 56

Grain of the wood, 48, 69

Grapes, 115, 156, 159

Grindelwald, carved bear from, 200

Grotesque in carving, 180

"Grounders," 34, 37

Grounding, 69

Handling tools, 27, 52, 78

"Hard" wood, 48, 51

Hardwood carving, 115

Henry IV, figure from tomb of 188, 265, 275

Heraldic carving, 176

"Herbal," Gerrard's, a source of design, 160

Heron, drawing of a, 197

Holdfasts, 48

Hollywood, 49

Hop-vine, the, 156

Humor in designs, 180

Icelandic carving, 143

Imitation of natural forms, 82

"India" oilstone, 42

Japanese work, a characteristic of, 125

Joiner and carver, reciprocal aims of, 161

Joiner, the amateur, 115

Joiner's tools, 41

Kauri pine wood, 48

"Kelmscott Press," carved oak covers for, 267, 288, 289

Lance-wood, 51

Landscape in carving, 221

Leather for stropping, 55

Leaves, expedient for explaining convolutions, 209

Leaves, list of, 159

Letters, carved, 165

Light and distance in design, 82

Lime wood, 48

Lion, preliminary drawing for carving a, 196, 267, 286

"Maccaroni" tool, 35, 38, 59

Mahogany wood, 48

Mallets, 44

Masses, right relationship of, 196

Masses, suggestion of main, 191

Masses, superposition of, 205

Medieval and modern choice of form compared, 153

Memoranda, methodical, 137

Memoranda, sketch-book, 137

Method, 137

Mildenhall Church, aisle roof, 226, 266, 277

Mirror frame, suggestion of design and carving for, 166

Miserere seats, 139, 142, 185, 186, 187, 216, 293

Miters, 77

Models, clay, 202

Morris, William, 240

Moldings, to be carved, 119

Museums, 137, 140, 145, 149

Natural forms, imitation of, 82

Nature, studies from, 153, 191