New Zealand carving, 63

Norse patterns, 143

Notes on cooperation, 249

Oak, 48, 157

Oilstones, 42, 52

Old work, 137

Originality, 108

Outline drawing, 191

Panel, carved, "The Sheepfold," 197, 212, 266, 282, 284

Paneling, design for, by Philip Webb, 268, 300

Panels, 72, 125, 170, 197

"Parting" tool, 34, 36

Paste for stropping, 52

Pattern and free rendering compared, 96

Pattern, background, 110

Pattern, importance of formal, 96

Pattern, medieval choice of natural forms governed by a question of, 96

Pattern, Portuguese, 145

Patterned background, 96

Patterns, 121

Patterns, Icelandic, 143

Patterns, New Zealand, 63

Patterns, Norse, 143

Patterns, pierced, 110, 145

Patterns, South Sea, 63

Pear-tree wood, 51

Period "Renaissance," revival of the classical style, 249

Perspective, 127, 205, 219

Pew ends, 269, 304

Photographs, aid of, 191

Picture subjects and perspective, 219

Pierced patterns, 110, 145

"Pierced" work, 214

Pine wood, 48, 71

Pine wood, yellow, 48, 71

Plant forms, list of, 153

"Planted" work, 214

Plums, 91

Polish, 138, 164

Portuguese pattern, 145

Position of tools, 27, 52

Practise and theory, 25

Preamble, 25

Relief, work in, 205

"Renaissance," the, 249

"Reynard, the Fox," carved oak book-cover, 267, 291

"Rifler," 41

Rounded forms, 88

"Router," 41

Ruskin, John, 240

"S," pattern, 121

St. Sophia, church of, 251

Sall Church, nave roof, 226, 266, 279

Sandalwood, 51

Sawing and drilling, 110

Schools, craft, past and present, 240

Screens, choir, 227, 229, 268, 295

Sculpture and carving, 249

Settle or bench, design and carving for, 168, 174

Settle, carved leg of, 269, 302

Sharpening stones, 42

Sharpening tools, 52

Sheep, drawing of, 197, 212, 266, 282, 284

Sheepfold, the, collotype plate, 266, 282, 284

Sketch-book, use of the, 137, 191

Slips, 43, 58, 61

"Soft" wood, 51

South Kensington Museum, carvings from, 140, 141, 142

South Sea carving, 63

Southwell Minster, Gothic capital in, 96

Spoon tools, 59

Stalls, choir, 227, 267, 293

Stone carving, 96, 223

Stones, sharpening, 42

Stones (sharpening), case for, 42

Stropping, 54

Student and apprentice, their aims and conditions of work, 25

Students, the, opportunity lies on the side of design, 25

Studies, beast and bird, 191

Studies from nature, 153, 191

Study, necessity for var