FREE BOOKS

Author's List




PREV.   NEXT  
|<   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128  
129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   >>   >|  
ld say, when the clue has been picked up and retraced. There is an hour in which Milly gazes open-eyed upon her prospect, measuring its promises and threats, gathering herself for the effort they demand. She sits on a high Italian mountain-ledge, with a blue plain spread out beneath her like the kingdoms of the world; and there she looks at her future with rapt absorption, lost to all other thought. Her mind, if we saw it, would tell us everything then at least; she searches its deepest depth, it is evident. And that is the very reason why her mind should not be exposed in that hour; the troubling shapes that lurk in it are not to be described, they are to make their presence known of their own accord. Instead of intruding upon Milly's lonely rumination, therefore, the author elects to leave her, to join company with her friend in the background, and in that most crucial session to reveal nothing of Milly but the glimpse that her friend catches of her in passing. The glimpse, so rendered, _tells_ nothing. But in Milly's attitude, while she sits enthroned above the world, there is a certain expression, deep and strange, not to be missed, though who shall say exactly what it implies? Is it hope, is it despair? At any rate the clear picture of her remains, and a little later, when her mind is visible again, the memory of her up there on the mountain has quickened the eye of the onlooker. The images in her mind are not at all portentous now; she is among her friends, she is harvesting impressions; there is not a word of anything dark or distressing or ill-omened. But still, but still--we have seen Milly when she believed herself unseen, and it is certain that there is more in her mind than now appears, and though she seems so full of the new excitement of making friends with Kate Croy there must be some preoccupation beneath; and then, in a flash, _these_ are the troubles that engage her in solitude, that have ached in her mind, and yet there has never been a single direct allusion to them. Skirting round and round them, giving one brief sight of her in eloquent circumstances, then displaying the all but untroubled surface of her thought on this side and that, the author has encompassed the struggle that is proceeding within her, and has lifted it bodily into the understanding of the reader. The profit which the story gains from this treatment is easily recognized. Solidity, weight, a third dimension, is given to the i
PREV.   NEXT  
|<   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128  
129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   >>   >|  



Top keywords:

friends

 

thought

 

beneath

 

author

 

glimpse

 

friend

 

mountain

 

picked

 

omened

 

believed


making

 

appears

 

excitement

 
unseen
 

memory

 

quickened

 
visible
 
picture
 

remains

 

onlooker


images

 

impressions

 
preoccupation
 

harvesting

 

retraced

 

portentous

 

distressing

 

troubles

 

understanding

 

reader


profit

 

bodily

 

lifted

 

encompassed

 

struggle

 

proceeding

 

dimension

 

weight

 

Solidity

 

treatment


easily

 

recognized

 

single

 
direct
 

allusion

 

engage

 

solitude

 

Skirting

 
circumstances
 
displaying