FREE BOOKS

Author's List




PREV.   NEXT  
|<   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80  
81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   >>   >|  
s. Becky seems to be in the middle, certainly, as we think of her; but that is not where Thackeray placed her. He meant Amelia to be no less appealing than Becky is striking; and if Amelia fails and drops into the background, it is not because she plays a subordinate part, but only because she plays it with so much less than Becky's vivid conviction. They fill the book with incident between the two of them; something is always happening, from the moment when they drive out of Miss Pinkerton's gate at Chiswick till the last word that is told of either. But the book as a whole turns upon nothing that happens, not even upon the catastrophe of Curzon Street; that scene in Becky's drawing-room disposes of _her_, it leaves the rest of the book quite untouched. Not in any complication of incident, therefore, nor in any single strife of will, is the subject of Vanity Fair to be discerned. It is now here but in the impression of a world, a society, a time--certain manners of life within a few square miles of London, a hundred years ago. Thackeray flings together a crowd of the people he knows so well, and it matters not at all if the tie that holds them to each other is of the slightest; it may easily chance that his good young girl and his young adventuress set out together upon their journey, their paths may even cross from time to time later on. The light link is enough for the unity of his tale, for that unity does not depend on an intricately woven intrigue. It depends in truth upon one fact only, the fact that all his throng of men and women are strongly, picturesquely typical of the world from which they are taken--that all in their different ways can add to the force of its effect. The book is not the story of any of them, it is the story which they unite to tell, a chapter in the notorious career of well-to-do London. Exactly how the various "plots" evolve is not the main matter; behind them is the presence and the pressure of a greater interest, the mass of life which Thackeray packs into his novel. And if that is the meaning of Vanity Fair, to give the succession of incident a hard, particular, dramatic relief would be to obscure it. Becky's valiant struggle in the world of her ambition might easily be isolated and turned into a play--no doubt it has been; but consider how her look, her value, would in that case be changed. Her story would become a mere personal affair of her own, the mischance of a certain woman's e
PREV.   NEXT  
|<   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80  
81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   >>   >|  



Top keywords:

Thackeray

 

incident

 

Vanity

 

easily

 

London

 

Amelia

 

affair

 

typical

 

strongly

 

picturesquely


chapter

 

personal

 

notorious

 

effect

 

depend

 

intricately

 

throng

 

depends

 
mischance
 

intrigue


career

 
obscure
 

valiant

 

struggle

 

changed

 

relief

 

dramatic

 

ambition

 

isolated

 
turned

succession
 

evolve

 

matter

 

Exactly

 
middle
 
presence
 
meaning
 

interest

 
pressure
 

greater


journey

 

Street

 

drawing

 

Curzon

 

catastrophe

 

disposes

 

leaves

 

single

 

strife

 

complication