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. A natural fact is permanent and elemental, an historical event is transient and superficial. Take one instance out of a score. The rainbow links heaven and earth. Iris, then, to the myth-making Greek, was Jove's messenger, intermediary between God and Man. That is to incarnate a constant, natural fact. Plato afterwards, making her a daughter of Thaumas, incarnated a fact, psychological, but none the less constant, none the less natural. But, to say, as the legend-loving Jew said, that Noah floated his ark over a drowning world and secured for his posterity a standing covenant with God, who then and once for all set his bow in the heavens; that is to indicate, somewhere, in the dim backward and abysm of time, an historical event. The rainbow is suffered as the skirt of the robe of Noah, who was an ancestor of Israel. So the Judith poem may be a decorated event, or it may be the barest history in a splendid epical setting: the point to remember is that it cannot be, as legend, a subject for creative art. The artist, in the language of Neo-Platonism, is a demiurge; he only of men can convert dead things into life. And now we will go into the Uffizi. Mr. Ruskin, in his petulant-playful way, has touched upon the feeling of amaze most people have who look for the first time at Botticelli's _Judith_ tripping smoothly and lightly over the hill-country, her steadfast maid dogging with intent patient eyes every step she takes. You say it is flippant, affected, pedantic. For answer, I refer you to the sage himself, who, from his point of view--that painting may fairly deal with a chapter of history--is perfectly right. The prevailing strain of the story is the strength of weakness--_ex dulci fortitudo_, to invert the old enigma. "O God, O my God, hear me also, a widow. Break down their stateliness by the hand of a woman!" It is the refrain that runs through the whole history of Israel, that reasonable complacency of a little people in their God-fraught destiny. And, withal, a streak of savage spite: that the audacious oppressor shall be done scornfully to death. There is the motive of Jael and Sisera too. So "she smote twice upon his neck with all her might, and she took away his head from him, and tumbled his body down from the bed." Ho! what a fate for the emissary of the Great King. Wherefore, once more, the jubilant paradox, "The Lord hath smitten him by the hand of a woman!" That is it: the amazing, thrilling antithesis ins
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