chael, Gabriel flies towards the Madonna, having in his
hand the Annunciation lily, large and triple-blossomed. Above him, and
above Michael equally, extends a cloud of white angels, inscribed
"Serafini;" but the group following Gabriel, and corresponding to the
Throni following Michael, is inscribed "Cherubini." Under these are the
great prophets, and singers, and foretellers of the happiness or of the
sorrow of time. David, and Solomon, and Isaiah, and Amos of the
herdsmen. David has a colossal golden psaltery laid horizontally across
his knees;--two angels behind him dictate to him as he sings, looking up
towards Christ; but one strong angel sweeps down to Solomon from among
the cherubs, and opens a book, resting it on the head of Solomon, who
looks down earnestly, unconscious of it;--to the left of David, separate
from the group of prophets, as Paul from the apostles, is Moses,
dark-robed;--in the full light, withdrawn far behind him, Abraham,
embracing Isaac with his left arm, and near him, pale St. Agnes. In
front, nearer, dark and colossal, stands the glorious figure of Santa
Giustina of Padua; then a little subordinate to her, St. Catharine, and,
far on the left, and high, Saint Barbara leaning on her tower. In front,
nearer, flies Raphael; and under him is the four-square group of the
Evangelists. Beneath them, on the left, Noah; on the right, Adam and
Eve, both floating unsupported by cloud or angel; Noah buoyed by the
Ark, which he holds above him, and it is _this_ into which Solomon gazes
down, so earnestly. Eve's face is, perhaps, the most beautiful ever
painted by Tintoret--full in light, but dark-eyed. Adam floats beside
her, his figure fading into a winged gloom, edged in the outline of
fig-leaves. Far down, under these, central in the lowest part of the
picture, rises the Angel of the Sea, praying for Venice; for Tintoret
conceives his Paradise as existing now, not as in the future. I at first
mistook this soft Angel of the Sea for Magdalene, for he is sustained by
other three angels on either side, as the Magdalen is, in designs of
earlier time, because of the verse, "There is joy in the presence of the
angels over one sinner that repenteth." But the Magdalen is on the
right, behind St. Monica; and on the same side, but lowest of all,
Rachel, among the angels of her children gathered now again to her for
ever.

I have no hesitation in asserting this picture to be by far the most
precious work of art of