FREE BOOKS

Author's List




PREV.   NEXT  
|<   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77  
78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   >>   >|  
nation with you women. What will you do?" "It doesn't concern you at all." "Excuse me, madame, quite the contrary. Dignity, honor--" "Oh, have no fear of that, sir. For your sake more than for my own, I will keep it a dead secret." "Come, Caroline, my own Carola, what do you mean to do?" Caroline darts a viper-like glance at Adolphe, who recoils and proceeds to walk up and down the room. "There now, tell me, what will you do?" he repeats after much too prolonged a silence. "I shall go to work, sir!" At this sublime declaration, Adolphe executes a movement in retreat, detecting a bitter exasperation, and feeling the sharpness of a north wind which had never before blown in the matrimonial chamber. THE ART OF BEING A VICTIM. On and after the Revolution, our vanquished Caroline adopts an infernal system, the effect of which is to make you regret your victory every hour. She becomes the opposition! Should Adolphe have one more such triumph, he would appear before the Court of Assizes, accused of having smothered his wife between two mattresses, like Shakespeare's Othello. Caroline puts on the air of a martyr; her submission is positively killing. On every occasion she assassinates Adolphe with a "Just as you like!" uttered in tones whose sweetness is something fearful. No elegiac poet could compete with Caroline, who utters elegy upon elegy: elegy in action, elegy in speech: her smile is elegiac, her silence is elegiac, her gestures are elegiac. Here are a few examples, wherein every household will find some of its impressions recorded: AFTER BREAKFAST. "Caroline, we go to-night to the Deschars' grand ball you know." "Yes, love." AFTER DINNER. "What, not dressed yet, Caroline?" exclaims Adolphe, who has just made his appearance, magnificently equipped. He finds Caroline arrayed in a gown fit for an elderly lady of strong conversational powers, a black moire with an old-fashioned fan-waist. Flowers, too badly imitated to deserve the name of artificial, give a gloomy aspect to a head of hair which the chambermaid has carelessly arranged. Caroline's gloves have already seen wear and tear. "I am ready, my dear." "What, in that dress?" "I have no other. A new dress would have cost three hundred francs." "Why did you not tell me?" "I, ask you for anything, after what has happened!" "I'll go alone," says Adolphe, unwilling to be humiliated in his wife. "I dare say you are ver
PREV.   NEXT  
|<   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77  
78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   >>   >|  



Top keywords:

Caroline

 

Adolphe

 

elegiac

 

silence

 

fearful

 

exclaims

 
appearance
 

magnificently

 

sweetness

 

DINNER


dressed
 

BREAKFAST

 

examples

 

household

 

equipped

 

gestures

 

speech

 

action

 
utters
 

recorded


impressions

 
compete
 

Deschars

 

Flowers

 

hundred

 
gloves
 

francs

 
unwilling
 

humiliated

 

happened


arranged

 

carelessly

 

powers

 

conversational

 

fashioned

 

strong

 

arrayed

 
elderly
 

aspect

 

gloomy


chambermaid
 
artificial
 

imitated

 
deserve
 
repeats
 
prolonged
 

recoils

 

glance

 

proceeds

 

detecting