this time is unsurpassed in
many of its qualities.

2. _Greek Art._--The next great historic style is the Greek. Its spirit
differed entirely from the Egyptian, being aesthetic and not symbolic. Its
sole aim was to create beautiful forms, without any thought of attaching to
them a meaning. It adopted many Egyptian forms, such as the lotus, fret,
and scroll, but divested them of all symbolism or significance. The most
characteristic feature of Greek ornament is the anthemion, a
conventionalized flower form resembling our honeysuckle bud, which was
usually alternated with the lotus or lily form bud. The Greeks also
borrowed the column and flat arch from the Egyptians, but changed it to a
more slender, graceful form. The three principal orders of Greek
architecture are named from the style of the column used that characterized
them, viz., the Corinthian, the Doric, the Ionic. Of these the Doric is the
simplest and the Corinthian the most elaborate.

For harmony of proportions, elegance of form, and simplicity of detail,
Greek architecture and ornament has probably never been surpassed. These
qualities are admirably displayed in the Parthenon, a temple in Athens,
dedicated to Venus. Though in ruins, it is still one of the greatest
attractions to travelers in Greece. A very fine collection of fragments
taken from it is to be seen in the British Museum. They are known as the
Elgin marbles.

The most flourishing period of Greek art, as will be found in the history
of almost all nations, was identical with the most flourishing period of
its literature and general welfare.

3. _Roman Art._--In the 6th century B.C. the Greeks, already on the
decline, were conquered by the Romans, a nation hardier and more powerful,
though ruder and less civilized than themselves. The conquerors recognized
this, and immediately set to work to copy or steal from their vanquished
foes everything that might enhance the beauty and splendor of their own
city. Greek artists were transported to Rome and placed in charge of the
most important public works. Roman art is, consequently, but a development
or adaptation of the Greek. It is noticeable, however, that it almost
completely ignored the most characteristic and popular of the Greek
forms--for example, the anthemion--and adapted those, such as the acanthus
and the scroll, which had been considered of minor importance among the
Greeks. They added another to the three orders of the Greek architectur