FREE BOOKS

Author's List




PREV.   NEXT  
|<   815   816   817   818   819   820   821   822   823   824   825   826   827   828   829   830   831   832   833   834   835   836   837   838   839  
840   841   842   843   844   845   846   847   848   849   850   851   852   853   854   855   856   857   858   859   860   861   862   863   864   >>   >|  
New York colony there were evolved silver tea pots of a unique design, that was not used elsewhere in the colonies. Mr. Halsey says they were used indiscriminately for both tea and coffee. In style they followed, to a certain extent, the squat pear-shaped tea pots of the period of 1717-18 in England, but had greater height and capacity. The colonial silversmiths wrought many beautiful designs in coffee, tea, and chocolate pots. Fine specimens are to be seen in the Halsey and Clearwater loan collections in the Metropolitan Museum. Included in the Clearwater collection is a coffee pot by Pygan Adams (1712-1776); and recently, there was added a coffee pot by Ephraim Brasher, whose name appears in the _New York City Directory_ from 1786 to 1805. He was a member of the Gold and Silversmiths' Society, and he made the die for the famous gold doubloon, known by his name, a specimen of which recently sold in Philadelphia for $4,000. His brother, Abraham Brasher, who was an officer in the continental army, wrote many popular ballads of the Revolutionary period, and was a constant contributor to the newspapers. [Illustration: VIENNA COFFEE POT, 1830 In the Metropolitan Museum of Art] [Illustration: SPANISH COFFEE POT, EIGHTEENTH CENTURY In the Metropolitan Museum] Judge Clearwater's collection of colonial silver in the Metropolitan Museum, to which he is constantly adding, is a magnificent one; and the coffee pot is worthy of it. It is thirteen and one-half inches high, weighs forty-four ounces, exclusive of the ebony handle, has a curved body and splayed base, with a godrooned band to the base and a similar edge to the cover. The spout is elaborate and curved; the cover has an urn-shaped finial; and there is a decoration of an engraved medallion surrounded by a wreath with a ribbon forming a true lover's knot. [Illustration: By Samuel Minott By Charles Hatfield By Pygan Adams Halsey Collection Metropolitan Museum of Art Clearwater Collection ] [Illustration: London Pot, 1773-74 By Jacob Hurd By Paul Revere FROM FRANCIS HILL BIGELOW'S "HISTORIC SILVER OF THE COLONIES" ] [Illustration: ENGLISH SHEFFIELD PLATE COFFEE POTS AND COFFEE URN, EIGHTEENTH CENTURY] [Illustration: SILVER COFFEE POTS IN AMERICAN COLLECTIONS] [Illustration: COFFEE POT BY WM. SHAW AND WM. PRIEST Made for Peter Faneuil (about 1751-52), who gave to Boston Faneuil Hall, called the cradl
PREV.   NEXT  
|<   815   816   817   818   819   820   821   822   823   824   825   826   827   828   829   830   831   832   833   834   835   836   837   838   839  
840   841   842   843   844   845   846   847   848   849   850   851   852   853   854   855   856   857   858   859   860   861   862   863   864   >>   >|  



Top keywords:

Illustration

 

COFFEE

 

coffee

 

Metropolitan

 

Museum

 

Clearwater

 

Halsey

 
recently
 
Collection
 
collection

silver

 

SILVER

 

EIGHTEENTH

 

CENTURY

 

curved

 

Brasher

 

shaped

 

Faneuil

 
period
 

colonial


splayed

 

similar

 

elaborate

 
finial
 

decoration

 

godrooned

 

exclusive

 

called

 
thirteen
 

worthy


inches

 

Boston

 

ounces

 

engraved

 
weighs
 
handle
 

PRIEST

 

Revere

 

COLLECTIONS

 

AMERICAN


FRANCIS

 

COLONIES

 

ENGLISH

 

SHEFFIELD

 
BIGELOW
 

HISTORIC

 

forming

 

ribbon

 
surrounded
 

wreath