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till for a few years, and Doris is too perfect a little bud to be lured into blossoming. There is something unusual about the child." When anyone praised Doris, Uncle Win experienced a thrill of delight. Miss Parker's school was much more aristocratic than Mrs. Webb's. There were no boys and no very small children. Some of the accomplishments were taught. French, drawing and painting, and what was called the "use of the globe," which meant a large globe with all the countries of the world upon it, arranged to turn around on an axis. This was a new thing. Doris was quite fascinated by it, and when she found the North Sea and the Devonshire coast and the "Wash" the girls looked on eagerly and straightway she became a heroine. But one unlucky recess when she had won in the game of graces a girl said: "I don't care! That isn't anything! We beat your old English in the Revolutionary War, and if there's another war we'll beat you again. My father says so. I wouldn't be English for all the gold on the Guinea coast!" "I am not English," Doris protested. "My father was born in this very Boston. And I was born in France." "Well, the French are just as bad. They are not to be depended upon. You are a mean little foreign girl, and I shall not speak to you again, there now!" Doris looked very sober. Helen Chapman comforted her and said Faith Dunscomb was not worth minding. She told it over to Uncle Win that evening. "I suppose I can never be a real Boston girl," she said sorrowfully. "I think you are a pretty good one now, and of good old Boston stock," he replied smilingly. "Sometime you will be proud that you came from the other Boston. Oddly enough most of us came from England in the beginning. And the Faneuils came from France, and they are proud enough of their old Huguenot blood." She had been to Faneuil Hall and the Market with Uncle Winthrop. They raised all their vegetables and fruit, unless it was something quite rare, and Cato did the family marketing. Only a few years before the Market had been enlarged and improved. Fifty years earlier the building had burned down and been replaced, but even the old building had been identified with liberty of thought, and had a well-known portrait painter of that day, John Smibert, for its architect. In the later improvements it had been much enlarged, and the beautiful open arches of the ground floor were closed by doors and windows, which rendered it less
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