anels in the upper parts are
new, and are the gifts of individual donors. They were executed in
Belgium. It is not known how these spaces were originally filled; Mr. le
Strange thought possibly with heraldic devices. The designs on the south
are from the New Testament, those on the north from the Old Testament
The seats in the lower range are also modern, as are the various
statuettes at the Stall ends, which represent the builders of the most
important parts of the fabric. On the misereres of the ancient stalls
are some wonderful grotesque carvings. The brass eagle lectern has been
copied, as to its main features, from an ancient example at Isleham. The
organ is in the triforium, on the north, and part of the case projects
over the easternmost arch of the choir.
The reredos is the first example in modern cathedral work of the
elaborate style of decoration for the most holy part of the sanctuary,
which is now not uncommon. It was the gift of Mr. John Dunn Gardner, of
Chatteris, and was designed by Scott. It forms the central portion of a
screen of stone which extends for the whole width of the presbytery. The
lower part of the whole is of deeply cut diaper-work; the upper part has
an open arcade of six arches, each with a mullion and tracery in the
early Decorated style. The reredos itself is of alabaster, and consists
of five main arches under canopies, and with tracery, and is ornamented
with a rich abundance of mosaic work, panels, medallions, statuettes,
twisted columns, and various kinds of carving. Five scenes from the last
days of our Lord's life on earth are carved in relief under canopies
beneath the chief arches. A full description, giving all the details of
the sculpture, and the materials of the mosaic, and the different
persons and emblematic graces represented by the busts and figures,
would require more space than we can give. The altar cross, of silver
gilt, is in memory of Bishop Woodford.
[Illustration: THE REREDOS.
_Photochrom Co. Ltd. Photo._]
[Illustration: THE LADY-CHAPEL.
_Photochrom Co. Ltd. Photo._]
#The Lady-chapel.#--Notwithstanding the cruel mutilation of the
sculpture all round this chapel, it can be seen that for perfection of
exquisite work there is no building of the size in this country worthy
for one moment to be compared with this in its unmutilated state. Its
single defect strikes the beholder at once: the span of the roof is too
broad and the vaul
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