The band here represented is much stronger than those that generally
figure in Japanese orchestral and theatrical entertainments. Music is
not used, as with us, to fill the interval between the pieces, but
accompanies the performers throughout; the louder instruments being
energetically struck as the singing becomes impassioned or the actors
declamatory.
The butterfly dance is another specimen of the amusements with which
the ladies of the Mikado's court while away their monotonous
existence. As here shown, it is a private performance, of which the
Empress and her principal attendants are the only spectators. The
insects are personated by two of her ladies, who mimic their motions
and sing praises of the different flowers they pretend to alight upon,
to the accompaniment of a band of fair musicians. But the most
interesting part of the affair is a spirited dialogue, in which they
cleverly criticise, under floral appellations, the different ladies of
the court, in a manner equally gratifying and flattering to their
royal mistress.
[Illustration: Lady waiting on the Mikado. (from Photograph.)]
The Mikado is always waited upon by the ladies of his court, and is
said never to eat twice from the same vessels, which are broken to
pieces as they are removed. An intelligent yaconin, however, on
being questioned about this point, was much amused; and, though he
professed ignorance of the subject, was evidently very sceptical on
the matter of the dishes.
CHAPTER VI.
The 'HARA KIRU.'
Although we have long been aware of the existence of this peculiar
mode of suicide, the exclusive policy of the Japanese has placed
insuperable difficulties in the way of obtaining accurate information
concerning it.
A more enlightened policy is now gaining ground in the country. The
chromo-lithographs that illustrate these 'Sketches' are fac-similes of
paintings by native artists, selected from a series lately published
at Yeddo, and sold to foreigners with the connivance, if not by
permission, of the authorities; for the spy system in Japan is so
perfect, that illicit dealings are next to impossible.
As Japanese punishments entail disgrace on every member of the
culprit's family, the 'Hara Kiru,' or 'happy dispatch,' which is the
only exception, is regarded as a great privilege by the classes
entitled to avail themselves of it These consist of the nobility,
military, and official of a certain rank holding civil appointm
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