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ing into clenches; his serious swelling, into bombast. "But he is always great, when some great occasion is presented to him. No man can say, he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets, "_Quantum lenta solent, inter viberna cupressi._ "The consideration of this, made Mr. HALES, of Eton, say, 'That there was no subject of which any poet ever writ; but he would produce it much better treated of in SHAKESPEARE.' And however others are, now, generally preferred before him; yet the Age wherein he lived (which had contemporaries with him, FLETCHER and JOHNSON) never equalled them to him, in their esteem. And in the last King's [_CHARLES I._] Court, when BEN.'s reputation was at [the] highest; Sir JOHN SUCKLING, and with him, the greater part of the Courtiers, set our SHAKESPEARE far above him. "BEAUMONT and FLETCHER (of whom I am next to speak), had, with the advantage of SHAKESPEARE's wit, which was their precedent, great natural gifts improved by study. BEAUMONT, especially, being so accurate a judge of plays, that BEN. JOHNSON, while he [_i.e., BEAUMONT_] lived, submitted all his writings to his censure; and,'tis thought, used his judgement in correcting, if not contriving all his plots. What value he had for [_i.e., attached to_] him, appears by the verses he writ to him: and therefore I need speak no farther of it. "The first Play which brought FLETCHER and him in esteem, was their _PHILASTER_. For, before that, they had written two or three very unsuccessfully: as the like is reported of BEN. JOHNSON, before he writ _Every Man in his Humour_ [_acted in_ 1598]. Their Plots were generally more regular than SHAKESPEARE's, especially those which were made before BEAUMONT's death: and they understood, and imitated the conversation of gentlemen [_in the conventional sense in which it was understood in DRYDEN's time_], much better [_i.e., than SHAKESPEARE_]; whose wild debaucheries, and quickness of wit in repartees, no Poet can ever paint as they have done. "This Humour, which BEN. JOHNSON derived from particular persons; they made it not their business to describe. They represented all the passions very lively; but, above all, Love. "I am apt to believe the English language, in them, arrived to its highest perfection. What words have since been taken in, are rather superfluous than necessary. "Their Plays are now the most pleasant and frequent en
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