igh them while they are in the water. The only really large one
I ever caught got away with my leader when I first struck him. He
weighed ten pounds.

IV

A-HUNTING OF THE DEER

If civilization owes a debt of gratitude to the self-sacrificing
sportsmen who have cleared the Adirondack regions of catamounts and
savage trout, what shall be said of the army which has so nobly
relieved them of the terror of the deer? The deer-slayers have
somewhat celebrated their exploits in print; but I think that justice
has never been done them.

The American deer in the wilderness, left to himself, leads a
comparatively harmless but rather stupid life, with only such
excitement as his own timid fancy raises. It was very seldom that
one of his tribe was eaten by the North American tiger. For a wild
animal he is very domestic, simple in his tastes, regular in his
habits, affectionate in his family. Unfortunately for his repose,
his haunch is as tender as his heart. Of all wild creatures he is
one of the most graceful in action, and he poses with the skill of an
experienced model. I have seen the goats on Mount Pentelicus scatter
at the approach of a stranger, climb to the sharp points of
projecting rocks, and attitudinize in the most self-conscious manner,
striking at once those picturesque postures against the sky with
which Oriental pictures have made us and them familiar. But the
whole proceeding was theatrical.

Greece is the home of art, and it is rare to find anything there
natural and unstudied. I presume that these goats have no nonsense
about them when they are alone with the goatherds, any more than the
goatherds have, except when they come to pose in the studio; but the
long ages of culture, the presence always to the eye of the best
models and the forms of immortal beauty, the heroic friezes of the
Temple of Theseus, the marble processions of sacrificial animals,
have had a steady molding, educating influence equal to a society of
decorative art upon the people and the animals who have dwelt in this
artistic atmosphere. The Attic goat has become an artificially
artistic being; though of course he is not now what he was, as a
poser, in the days of Polycletus. There is opportunity for a very
instructive essay by Mr. E. A. Freeman on the decadence of the Attic
goat under the influence of the Ottoman Turk.

The American deer, in the free atmosphere of our country, and as yet
untouched by our decorative art, is witho