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tle dears shouldn't have the wickedness and impurity of this world break on them too suddenly. If the stranger noticed any lack about our church, it would be that of a spire. There is a place for one; indeed, it was begun, and then the builders seem to have stopped, with the notion that it would grow itself from such a good root. It is a mistake however, to suppose that we do not know that the church has what the profane here call a "stump-tail" appearance. But the profane are as ignorant of history as they are of true Gothic. All the Old World cathedrals were the work of centuries. That at Milan is scarcely finished yet; the unfinished spires of the Cologne cathedral are one of the best-known features of it. I doubt if it would be in the Gothic spirit to finish a church at once. We can tell cavilers that we shall have a spire at the proper time, and not a minute before. It may depend a little upon what the Baptists do, who are to build near us. I, for one, think we had better wait and see how high the Baptist spire is before we run ours up. The church is everything that could be desired inside. There is the nave, with its lofty and beautiful arched ceiling; there are the side aisles, and two elegant rows of stone pillars, stained so as to be a perfect imitation of stucco; there is the apse, with its stained glass and exquisite lines; and there is an organ-loft over the front entrance, with a rose window. Nothing was wanting, so far as we could see, except that we should adapt ourselves to the circumstances; and that we have been trying to do ever since. It may be well to relate how we do it, for the benefit of other inchoate Goths. It was found that if we put up the organ in the loft, it would hide the beautiful rose window. Besides, we wanted congregational singing, and if we hired a choir, and hung it up there under the roof, like a cage of birds, we should not have congregational singing. We therefore left the organ-loft vacant, making no further use of it than to satisfy our Gothic cravings. As for choir,--several of the singers of the church volunteered to sit together in the front side-seats, and as there was no place for an organ, they gallantly rallied round a melodeon,--or perhaps it is a cabinet organ,--a charming instrument, and, as everybody knows, entirely in keeping with the pillars, arches, and great spaces of a real Gothic edifice. It is the union of simplicity with grandeur, for which we have all be
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