then again contract to the width of
an alderman, and portions of the old wall and city gates; old feudal
towers stand in the market-place, and faded frescoes on old
clock-faces and over archways speak of other days of splendor.

But the Munich of to-day is as if built to order,--raised in a day by
the command of one man. It was the old King Ludwig I., whose
flower-wreathed bust stands in these days in the vestibule of the
Glyptothek, in token of his recent death, who gave the impulse for
all this, though some of the best buildings and streets in the city
have been completed by his successors. The new city is laid out on a
magnificent scale of distances, with wide streets, fine, open
squares, plenty of room for gardens, both public and private; and the
art buildings and art monuments are well distributed; in fact, many a
stately building stands in such isolation that it seems to ask every
passer what it was put there for. Then, again, some of the new
adornments lack fitness of location or purpose. At the end of the
broad, monotonous Ludwig Strasse, and yet not at the end, for the
road runs straight on into the flat country between rows of slender
trees, stands the Siegesthor, or Gate of Victory, an imitation of the
Constantine arch at Rome. It is surmounted by a splendid group in
bronze, by Schwanthaler, Bavaria in her war-chariot, drawn by four
lions; and it is in itself, both in its proportions and its numerous
sculptural figures and bas-reliefs, a fine recognition of the valor
"of the Bavarian army," to whom it is erected. Yet it is so dwarfed
by its situation, that it seems to have been placed in the middle of
the street as an obstruction. A walk runs on each side of it. The
Propylaeum, another magnificent gateway, thrown across the handsome
Brienner Strasse, beyond the Glyptothek, is an imitation of that on
the Acropolis at Athens. It has fine Doric columns on the outside,
and Ionic within, and the pediment groups are bas-reliefs, by
Schwanthaler, representing scenes in modern Greek history. The
passageways for carriages are through the side arches; and thus the
"sidewalk" runs into the center of the street, and foot-passers must
twice cross the carriage-drive in going through the gate. Such
things as these give one the feeling that art has been forced beyond
use in Munich; and it is increased when one wanders through the new
churches, palaces, galleries, and finds frescoes so prodigally
crowded out of the way, an