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ble type. Nevertheless, the principle of the art was developed in the sacristy of Haarlem, and we might hesitate whether to attribute the honor of it to Koster or Gutenberg, if its invention had not been with one the mere accidental discovery of love and chance, and, in the other, the well-earned victory of patience and genius. At the sight of this coarse plank, the lightning from heaven flashed before the eyes of Gutenberg. He looked at the plank, and, in his imagination, analyzed it, decomposed it, put it together again, changed it, divided it, readjusted it, reversed it, smeared it with ink, placed the parchment on it, and pressed it with a screw. The sacristan, wondering at his long silence, was unwittingly present at this development of an idea over which his visitor had brooded in vain for the last ten years. When Gutenberg retired, he carried a new art with him. On the morrow, like a man who possesses a treasure, and knows neither rest nor sleep until he has hidden it safely, Gutenberg left Haarlem, hastened up the Rhine until he reached Strasburg, shut himself up in his work-room, fashioned his own tools, tried, broke, planned, rejected, returned to his plans, and again rejected them, only to return to them again; and ended by secretly executing a fortunate proof upon parchment with movable wooden types, bored through the side with a small hole, strung together and kept close by a thread, like square beads on a chaplet, each with a letter of the alphabet cut in relief on one side--the first printer's alphabet, coarse, but wonderful--the first company of twenty-four letters, which multiplied like the herds of the patriarchs, until at last they covered the whole earth with written characters, in which a new and immaterial element--human thought--became incarnate. Gutenberg, perceiving at the first glance the immense social and industrial bearing of his invention, felt that his weak hand, short life, and moderate property would be spent in vain on such a work. He experienced two opposite wants--the necessity of associating with himself persons to assist in meeting the expenses and in executing the mechanical labor, and the necessity of concealing from his assistants the secret and real object of their labors, for fear lest his invention might be divulged and pirated, and the glory and merit of his discovery taken from him. He cast his eyes on the nobility and rich gentry of his acquaintance at Strasburg and
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