FREE BOOKS

Author's List




PREV.   NEXT  
|<   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165  
166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   >>   >|  
LADIES' DRESSING ROOMS] After the scenery and props come the costumes. We never have any trouble unless somebody is trying to rehearse everything at the same time. Not even in an amateur show do I do that. I won't allow it. The sequence of final rehearsals is in this order; the scenery, the props, the costumes, the lights, the orchestra. You often have trouble with your costumes unless you get them from a good concern. There are two or three first-class establishments in New York where you can rent most anything. I have given the names of some in a preceding chapter. There is one big firm in New York that has recently bought over a million dollars' worth of costumes from the Charles Frohman Estate, including some wonderful period costumes. I always seem to be able to get about what I have wanted for amateur productions from certain big New York establishments in this line of business; those who make costumes for the Famous Players, Griffith, and the very best moving picture and theatrical companies. They have made many things for Marion Davies and her Cosmopolitan pictures. I had a telegram from a girl in Minneapolis the other day. She had to have a certain costume, because her engagement depended upon it. She was to work three weeks at $150 a week, and she couldn't do it without the proper costumes. I had one of my men pick out the costumes for her. They cost her $45 for the entire three weeks. They were sent to her by parcel post C.O.D. by one of these firms. We have an art department in our studios where we make our own designs for settings and costumes. When amateurs or professionals write to me or wire me, I am usually able to put them in touch with the right people and help to get just what they need. Any of these can be gotten at reasonable prices. The prices range from $5, $6, $7.50, $10, $12 and $15 a week for each costume, depending, of course, upon the quality of costume. I used a marvelous costume once worn by Ethel Barrymore in one production, and I think I paid $15 for the rent of it. A costume like that would cost $1500 to have it made. After I am through with the costumes, I begin to do the lighting. I will use certain lights that will affect the sets, the scenery. Other lights will be used for the characters. I use the side lights, overhead lights, border lights, and front lights. The spot-lights are used to pick up the characters; sometimes I use X-ray border lights down stage overhead to pic
PREV.   NEXT  
|<   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165  
166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   >>   >|  



Top keywords:

costumes

 

lights

 

costume

 
scenery
 
establishments
 

trouble

 

prices

 
border
 

characters

 

overhead


amateur

 

entire

 

people

 
settings
 

parcel

 

department

 

studios

 
amateurs
 

professionals

 
designs

DRESSING

 
LADIES
 

affect

 

lighting

 
reasonable
 

depending

 

Barrymore

 

production

 

quality

 

marvelous


chapter

 

recently

 

preceding

 

bought

 
Estate
 

including

 
wonderful
 
period
 
Frohman
 

Charles


million

 

dollars

 

rehearsals

 
sequence
 

orchestra

 

concern

 

rehearse

 
Minneapolis
 

telegram

 
pictures