FREE BOOKS

Author's List




PREV.   NEXT  
|<   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186  
187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   >>   >|  
ungarian, Cowboy, and others. There is also a high-laced close fitting boot with a very low heel and soft sole used by men, as a rule, in certain kinds of acrobatic dancing. When you get into theatrical footwear, there is practically no limit to the possibilities and the variations. Period shoes of all times and nations--Grecian, Roman, Egyptian, etc.,--make the list almost endless. But really the only dancing shoes you will first concern yourself with are those I have designated as belonging to the learners' work for foundation technique, acrobatic, musical comedy, tap and step, ballet and toe dancing. In the exhibition dancing the usual ball room shoes are preferred. If the dance is done in character, that will determine the style of the shoes. I want to sound a warning about French-heeled shoes and high-heeled shoes in general, such as ladies find so fashionable. A pretty female foot is charming, and one's feet should be dressed in the most becoming manner. But high-heeled shoes do not make a pretty foot. It is impossible to walk gracefully or safely in them, and as for dancing, no one can ever hope to become a dancer who wears such clumsy foot-gear while attempting to learn the art. The persistent wearing of high-heeled shoes does much to bring about female troubles. It is conducive to ill health, crooked figures, weak ankles, and many internal ills. There are crippled ladies of mature years whom I know, who frankly admit that their condition is due solely to the wearing of high-heeled shoes in their younger years, "to make their feet look pretty." I want to make my abhorrence of high French heels as strong as I can. You cannot wear them in my studios. I will not permit them, for to wear them indicates that you will never learn to dance, and there is no use in wasting your time in trying. After you have learned, in suitable and proper shoes, how to do your dances, then a shoe with a baby French heel will be permitted for musical comedy dancing, and a shoe with a low common-sense (not necessarily ugly) heel for tap and step dancing. Fortunately, it is not necessary to wear French-heeled shoes in order to have pretty feet. There are an abundance of attractive shoes on the market that one can choose with assurance of enhancing the beauty of their feet, without this deforming heel. If one uses the words "sensible" or "solid comfort" when speaking of shoes--women's shoes especially--it suggests some
PREV.   NEXT  
|<   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186  
187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   >>   >|  



Top keywords:

dancing

 

heeled

 

French

 
pretty
 
musical
 

comedy

 

ladies

 
female
 

wearing

 

acrobatic


condition

 

strong

 

solely

 
younger
 

abhorrence

 

ungarian

 

conducive

 
health
 

crooked

 
troubles

persistent

 
figures
 

mature

 

frankly

 
crippled
 

ankles

 

internal

 

enhancing

 

assurance

 

beauty


choose

 

market

 

abundance

 

attractive

 
deforming
 

suggests

 
speaking
 
comfort
 
learned
 

wasting


studios

 

permit

 

suitable

 
proper
 

necessarily

 

Fortunately

 

common

 
permitted
 

dances

 
safely