FREE BOOKS

Author's List




PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   >>   >|  
enerally. Powerful tastes--as is incontestably shown in the cases of alcohol and tobacco--lie latent for ages, and suddenly become manifest when suitable conditions arise. Every discovery, and each step in social and moral evolution, produces its wide-spreading train of consequences. I see no reason why use-inheritance need be credited with any share in the cumulative results of the invention of printing and the steam-engine and gunpowder, or of freedom and security under representative government, or of science and art and the partial emancipation of the mind of man from superstition, or of the innumerable other improvements or changes that take place under modern civilization. Mr. Spencer suggests an inquiry whether the greater powers possessed by eminent musicians were not mainly due to the inherited effect of the musical practice of their fathers (p. 19). But these great musicians inherited far more than their parents possessed. The excess of their powers beyond their parents' must surely be attributed to spontaneous variation; and who shall say that the rest was in any way due to use-inheritance? If, too, the superiority of geniuses proves use-inheritance, why should not the inferiority of the sons of geniuses prove the existence of a tendency which is the exact opposite of use-inheritance? But nobody collects facts concerning the degenerate branches of musical families. Only the favourably varying branches are noticed, and a general impression of rapid evolution of talent is thus produced. Such cases might be explained, too, by the facts that musical faculty is strong in both sexes, that musical families associate together, and that the more gifted members may intermarry. Great musicians are often astonishingly precocious. Meyerbeer "played brilliantly" at the age of six. Mozart played beautifully at four. Are we to suppose that the effect of the _adult_ practice of parents was inherited at this early age? If use-inheritance was not necessary in the case of Handel, whose father was a surgeon, why is it needed to account for Bach? LACK OF EVIDENCE. The "direct proofs" of use-inheritance are not as plentiful as might be desired, it appears (pp. 24-28). This acknowledged "lack of recognized evidence" is indeed the weakest feature in the case, though Mr. Spencer would fain attribute this lack of direct proof to insufficient investigation and to the inconspicuous nature of the inheritance of the modification. B
PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   >>   >|  



Top keywords:

inheritance

 
musical
 

inherited

 
musicians
 

parents

 

played

 

geniuses

 

Spencer

 

branches

 

effect


powers

 

possessed

 
families
 

practice

 

evolution

 

direct

 
talent
 

general

 
noticed
 

impression


weakest
 

acknowledged

 

recognized

 

feature

 

evidence

 

produced

 

nature

 

inconspicuous

 

opposite

 

modification


existence

 

tendency

 

investigation

 
favourably
 
varying
 

attribute

 

insufficient

 
collects
 

degenerate

 

beautifully


Mozart

 

suppose

 

needed

 

father

 

surgeon

 
Handel
 

account

 
EVIDENCE
 

brilliantly

 

associate