from sometime in the twelfth century and belonging to the Church
of Obazine. It shows how furniture followed the lines of architecture,
and also shows that there was no carving used on it. Large spaces were
probably covered with painted canvas, glued on. Later, when panels
became smaller and the furniture designs were modified, moldings, etc.,
began to be used. These _bahuts_ or _huches_, from which the term
_huchiers_ came (meaning the Corporation of Carpenters), were nothing
more than chests standing on four feet. From all sources of information
on the subject it has been decided that they were probably the chief
pieces of furniture the people had. They served as a seat by day and,
with cushions spread upon them, as a bed by night. They were also used
as tables with large pieces of silver _dresse_ or arranged upon them in
the daytime. From this comes our word "dresser" for the kitchen shelves.
In those days of brigands and wars and sudden death, the household
belongings were as few as possible so that the trouble of speedy
transportation would be small, and everything was packed into the
chests. As the idea of comfort grew a little stronger, the number of
chests grew, and when a traveling party arrived at a stopping-place, out
came the tapestries and hangings and cushions and silver dishes, which
were arranged to make the rooms seem as cheerful as possible. The germ
of the home ideal was there, at least, but it was hard work for the
arras and the "ciel" to keep out the cold and cover the bare walls. When
life became a little more secure and people learned something of the
beauty of proportion, the rooms showed more harmony in regard to the
relation of open spaces and walls, and became a decoration in
themselves, with the tapestries and hangings enhancing their beauty of
line. It was not until some time in the fifteenth century that the
habit of traveling with all one's belongings ceased.

The year 1000 was looked forward to with abject terror, for it was
firmly believed by all that the world was then coming to an end. It cast
a gloom over all the people and paralyzed all ambition. When, however,
the fatal year was safely passed, there was a great religious
thanksgiving and everyone joined in the praise of a merciful God. The
semi-circular arch of the Romanesque style gave way to the pointed arch
of the Gothic, and wonderful cathedrals slowly lifted their beautiful
spires to the sky. The ideal was to build for the glory