built by
Darius after he had crushed the revolts which took place at the outset
of his reign, was situated at the foot of a chain of rugged mountains
which skirt the plain on its eastern side, and was raised on an
irregularly shaped platform or terrace, which was terminated by a wall
of enormous polygonal blocks of masonry. The terrace was reached by
a double flight of steps, the lateral walls of which are covered
with bas-reliefs, representing processions of satellites, slaves, and
tributaries, hunting scenes, fantastic episodes of battle, and lions
fighting with and devouring bulls. The area of the raised platform was
not of uniform level, and was laid out in gardens, in the midst of which
rose the pavilions that served as dwelling-places. The reception-rooms
were placed near the top of the flight of steps, and the more important
of them had been built under the two preceding kings. Those nearest to
the edge of the platform were the propylae of Xerxes--gigantic entrances
whose gateways were guarded on either side by winged bulls of Assyrian
type; beyond these was the _apadana_, or hall of honour, where the
sovereign presided in state at the ordinary court ceremonies. To the
east of the _apadana_, and almost in the centre of the raised terrace,
rose the Hall of a Hundred Columns, erected by Darius, and used only
on special occasions. Artaxerxes I. seems to have had a particular
affection for Susa. It had found favour with his predecessors, and they
had so frequently resided there, even after the building of Persepolis,
that it had continued to be regarded as the real capital of the empire
by other nations, whereas the Persian sovereigns themselves had sought
to make it rather an impregnable retreat than a luxurious residence.
Artaxerxes built there an _apadana_ on a vaster scale than any hitherto
designed.
[Illustration: 267.jpg THE PROPYLAEA OF XERXES I. AT PERSEPOLIS]
Drawn by Boudier, from the heliogravure of Marcel Dieulafoy.
It comprised three colonnades, which, taken together, formed a rectangle
measuring 300 feet by 250 feet on the two sides, the area being
approximately that of the courtyard of the Louvre. The central
colonnade, which was the largest of the three, was enclosed by walls on
three sides, but was open to the south. Immense festoons of drapery hung
from the wooden entablature, and curtains, suspended from rods between
the first row of columns, afforded protection from the sun and from the
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