and than in Denmark, which, being on the mainland,
was earlier subject to Christian and Romantic influences; and
that a heathen God should, in the two or three centuries following
the establishment of Christianity in the North, be turned into a
mortal hero, than that the reverse process should have acted at a
sufficiently late date to permit of both versions existing side by
side in the thirteenth century. A similar gradual elimination of the
supernatural may be found in the history of the Volsung myth. Snorri's
version is merely an amplification of that in the Elder Edda, which,
scanty as its account of Baldr is, leaves no doubt as to his divinity.

The outline gathered from the poems is as follows: Baldr, Odin's son,
is killed by his brother Hoed through a mistletoe spray; Loki is in some
way concerned in his death, which is an overwhelming misfortune to the
Gods; but it is on Hoed that his death is avenged. He is burnt on a pyre
(Snorri says on his ship, a feature which must come from the Viking
age; _Hyndluljod_ substitutes howe-burial). He will be absent from
the great fight at Ragnaroek, but _Voeluspa_ adds that he will return
afterwards. Nanna has nothing to do with the story. The connexion with
the hierarchy of the Aesir seems external only, since Baldr has no
apparent relation to the great catastrophe as have Odin, Thor, Frej,
Tyr and Loki; this, then, would point to the independence of his myth.

The genuineness of the myth seems to depend on whether the mistletoe
is an original feature of it or not, and on this point there can
be little real doubt. The German theory that Baldr could only be
killed by his own sword, which was therefore disguised by enchantment
and used against him, and that the Icelandic writers misunderstood
this to mean a mistletoe sprig, is far-fetched and romantic, and
crumbles at a touch. For if, as it is claimed, the Icelanders had no
mistletoe, why should they introduce it into a story to which it did
not belong? They might preserve it by tradition, but they would hardly
invent it. Granting this, the mistletoe becomes the central point of
the legend. The older mythologists, who only saw in it a sun-myth,
overlooked the fact that since any weapon would have done to kill
the God with, the mistletoe must have some special significance; and
if it is a genuine part of the story, as we have no reason to doubt,
it will be hard to overturn Dr. Frazer's theory that the Baldr-myth
is a relic of