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onveying of ideas, else I might plead very well want of room in my paper as excuse for generalizing). I want room to tell you how we are charmed with your verses in the manner of Spenser, etc. I am glad you resume the "Watchman." Change the name; leave out all articles of news, and whatever things are peculiar to newspapers, and confine yourself to ethics, verse, criticism; or, rather, do not confine yourself. Let your plan be as diffuse as the "Spectator," and I 'll answer for it the work prospers. If I am vain enough to think I can be a contributor, rely on my inclinations. Coleridge, in reading your "Religious Musings," I felt a transient superiority over you. I _have_ seen Priestley. I love to see his name repeated in your writings. I love and honor him almost profanely. You would be charmed with his _Sermons_, if you never read 'em. You have doubtless read his books illustrative of the doctrine of Necessity. Prefixed to a late work of his in answer to Paine, there is a preface giving an account of the man and his services to men, written by Lindsey, his dearest friend, well worth your reading. _Tuesday Eve_.--Forgive my prolixity, which is yet too brief for all I could wish to say. God give you comfort, and all that are of your household! Our loves and best good-wishes to Mrs. C. C. LAMB. [1] Coleridge contributed some four hundred lines to the second book of Southey's epic. III. TO COLERIDGE. _June_ 10, 1796. With "Joan of Arc" I have been delighted, amazed, I had not presumed to expect anything of such excellence from Southey. Why, the poem is alone sufficient to redeem the character of the age we live in from the imputation of degenerating in poetry, were there no such beings extant as Burns, and Bowles, Cowper, and ----, ---- fill up the blank how you please; I say nothing. The subject is well chosen; it opens well. To become more particular, I will notice in their order a few passages that chiefly struck me on perusal. Page 26: "Fierce and terrible Benevolence!" is a phrase full of grandeur and originality, The whole context made me feel _possessed_, even like Joan herself. Page 28: "It is most horrible with the keen sword to gore the finely fibred human frame," and what follows, pleased me mightily. In the second book, the first forty lines in particular are majestic and high-sounding. Indeed, the whole vision of the Palace of Ambition and what follows are supremely excellent. Your simi
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