FREE BOOKS

Author's List




PREV.   NEXT  
|<   1230   1231   1232   1233   1234   1235   1236   1237   1238   1239   1240   1241   1242   1243   1244   1245   1246   1247   1248   1249   1250   1251   1252   1253   1254  
1255   1256   1257   1258   1259   1260   1261   1262   1263   1264   1265   1266   1267   1268   1269   1270   1271   1272   1273   1274   1275   1276   1277   1278   1279   >>   >|  
w that it might have been better. Out of his classes, however, beyond the immediate, disturbing influence of his personality I would relapse into indifference.... Returning one evening to our quarters, which were now in the "Yard," I found Tom seated with a blank sheet before him, thrusting his hand through his hair and biting the end of his penholder to a pulp. In his muttering, which was mixed with the curious, stingless profanity of which he was master, I caught the name of Cheyne, and I knew that he was facing the crisis of a fortnightly theme. The subject assigned was a narrative of some personal experience, and it was to be handed in on the morrow. My own theme was already, written. "I've been holding down this chair for an hour, and I can't seem to think of a thing." He rose to fling himself down on the lounge. "I wish I was in Canada." "Why Canada?" "Trout fishing with Uncle Jake at that club of his where he took me last summer." Tom gazed dreamily at the ceiling. "Whenever I have some darned foolish theme like this to write I want to go fishing, and I want to go like the devil. I'll get Uncle Jake to take you, too, next summer." "I wish you would." "Say, that's living all right, Hughie, up there among the tamaracks and balsams!" And he began, for something like the thirtieth time, to relate the adventures of the trip. As he talked, the idea presented itself to me with sudden fascination to use this incident as the subject of Tom's theme; to write it for him, from his point of view, imitating the droll style he would have had if he had been able to write; for, when he was interested in any matter, his oral narrative did not lack vividness. I began to ask him questions: what were the trees like, for instance? How did the French-Canadian guides talk? He had the gift of mimicry: aided by a partial knowledge of French I wrote down a few sentences as they sounded. The canoe had upset and he had come near drowning. I made him describe his sensations. "I'll write your theme for you," I exclaimed, when he had finished. "Gee, not about that!" "Why not? It's a personal experience." His gratitude was pathetic.... By this time I was so full of the subject that it fairly clamoured for expression, and as I wrote the hours flew. Once in a while I paused to ask him a question as he sat with his chair tilted back and his feet on the table, reading a detective story. I sketched in the scene with bold strok
PREV.   NEXT  
|<   1230   1231   1232   1233   1234   1235   1236   1237   1238   1239   1240   1241   1242   1243   1244   1245   1246   1247   1248   1249   1250   1251   1252   1253   1254  
1255   1256   1257   1258   1259   1260   1261   1262   1263   1264   1265   1266   1267   1268   1269   1270   1271   1272   1273   1274   1275   1276   1277   1278   1279   >>   >|  



Top keywords:

subject

 

summer

 

fishing

 

Canada

 

narrative

 

French

 
experience
 

personal

 
vividness
 
questions

imitating

 
talked
 
presented
 

sudden

 
thirtieth
 

relate

 
adventures
 

fascination

 
interested
 

incident


matter

 
expression
 

clamoured

 

fairly

 

pathetic

 

gratitude

 

paused

 

question

 

sketched

 

detective


reading

 

tilted

 

knowledge

 
partial
 
sentences
 

mimicry

 

Canadian

 

guides

 

sounded

 

exclaimed


finished

 

sensations

 
describe
 

drowning

 
instance
 
Whenever
 

biting

 
penholder
 
thrusting
 

muttering