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sisting of "An Essay on Learning," I find this curious and interesting passage entirely relating to the poet himself:-- "I remember nothing farther in life than that I made verses; I chose Guy Earl of Warwick for my first hero, and killed Colborne the giant before I was big enough for Westminster School. But I had two accidents in youth which hindered me from being quite possessed with the Muse. I was bred in a college where prose was more in fashion than verse,--and, as soon as I had taken my first degree, I was sent the King's Secretary to the Hague; there I had enough to do in studying French and Dutch, and altering my Terentian and Virgilian style into that of Articles and Conventions; so that _poetry, which by the bent of my mind might have become the business of my life, was, by the happiness of my education, only the amusement of it_; and in this, too, having the prospect of some little fortune to be made, and friendships to be cultivated with the great men, I did not launch much into _satire_, which, however agreeable for the present to the writers and encouragers of it, does in time do neither of them good; considering the uncertainty of fortune, and the various changes of Ministry, and that every man, as he resents, may punish in his turn of greatness and power." Such is the wholesome counsel of the Solomon of Bards to an aspirant, who, in his ardour for poetical honours, becomes careless of their consequences, if he can but possess them. I have now to bring forward one of those unhappy men of rhyme, who, after many painful struggles, and a long querulous life, have died amid the ravings of their immortality--one of those miserable bards of mediocrity whom no beadle-critic could ever whip out of the poetical parish. There is a case in Mr. Haslam's "Observations on Insanity," who assures us that the patient he describes was insane, which will appear strange to those who have watched more poets than lunatics! "This patient, when admitted, was very noisy, and importunately talkative--reciting passages from the Greek and Roman poets, or talking of his own literary importance. He became so troublesome to the other madmen, who were sufficiently occupied with their own speculations, that they avoided and excluded him from the common room; so that he was at last reduced to the mortifying situation of being the sole auditor of his own compositions. He conceived himself very nearly related to Anacreon, and p
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