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ge to events without being at all a part of them, I find myself always reminded of the great tragedy of that day by the sight and odor of these blossoms. It never fails. On this occasion the theatre was crowded, many ladies in rich and gay costumes, officers in their uniforms, many well-known citizens, young folks, the usual clusters of gas-lights, the usual magnetism of so many people, cheerful, with perfumes, music of violins and flutes--and over all, and saturating, that vast, vague wonder, Victory, the Nation's victory, the triumph of the Union, filling the air, the thought, the sense, with exhilaration more than all perfumes. The President came betimes and, with his wife, witnessed the play, from the large stage boxes of the second tier, two thrown into one, and profusely draped with the National flag. The acts and scenes of the piece--one of those singularly witless compositions which have at least the merit of giving entire relief to an audience engaged in mental action or business excitements and cares during the day, as it makes not the slightest call on either the moral, emotional, esthetic or spiritual nature--a piece ("Our American Cousin") in which, among other characters so called, a Yankee, certainly such a one as was never seen, or at least ever seen in North America, is introduced in England, with a varied fol-de-rol of talk, plot, scenery, and such phantasmagoria as goes to make up a modern popular drama--had progressed through perhaps a couple of its acts, when in the midst of this comedy, or tragedy, or non-such, or whatever it is to be called, and to offset it, or finish it out, as if in Nature's and the Great Muse's mockery of these poor mimics, come interpolated that scene, not really or exactly to be described at all (for on the many hundreds who were there it seems to this hour to have left little but a passing blur, a dream, a blotch)--and yet partially to be described as I now proceed to give it: There is a scene in the play representing the modern parlor, in which two unprecedented English ladies are informed by the unprecedented and impossible Yankee that he is not a man of fortune, and therefore undesirable for marriage catching purposes; after which, the comments being finished, the dramatic trio make exit, leaving the stage clear for a moment. There was a pause, a hush, as it were. At this period came the murder of Abraham Lincoln. Great as that was, with all its manifold train circ
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