publicly celebrated, while Vendean rebels
were pardoned, and plotting _emigres_ were entering the public
service.

Many, indeed, of the prominent terrorists had settled profitably on
the offices which Bonaparte had multiplied throughout France, and were
therefore dumb: but some of the less favoured ones, angered by the
stealthy advance of autocracy, wove a plot for the overthrow of the
First Consul. Chief among them were a braggart named Demerville, a
painter, Topino Lebrun, a sculptor, Ceracchi, and Arena, brother of
the Corsican deputy who had shaken Bonaparte by the collar at the
crisis of Brumaire. These men hit upon the notion that, with the aid
of one man of action, they could make away with the new despot. They
opened their hearts to a penniless officer named Harel, who had been
dismissed from the army; and he straightway took the news to
Bonaparte's private secretary, Bourrienne. The First Consul, on
hearing of the matter, at once charged Bourrienne to supply Harel with
money to buy firearms, but not to tell the secret to Fouche, of whose
double dealings with the Jacobins he was already aware. It became
needful, however, to inform him of the plot, which was now carefully
nursed by the authorities. The arrests were planned to take place at
the opera on October 10th. About half an hour after the play had
begun, Bonaparte bade his secretary go into the lobby to hear the
news. Bourrienne at once heard the noise caused by a number of
arrests: he came back, reported the matter to his master, who
forthwith returned to the Tuileries. The plot was over.[168]

A more serious attempt was to follow. On the 3rd day of Nivose
(December 24th, 1800), as the First Consul was driving to the opera to
hear Haydn's oratorio, "The Creation," his carriage was shaken by a
terrific explosion. A bomb had burst between his carriage and that of
Josephine, which was following. Neither was injured, though many
spectators were killed or wounded. "Josephine," he calmly said, as she
entered the box, "those rascals wanted to blow me up: send for a copy
of the music." But under this cool demeanour he nursed a determination
of vengeance against his political foes, the Jacobins. On the next day
he appeared at a session of the Council of State along with the
Ministers of Police and of the Interior, Fouche and Chaptal. The Arena
plot and other recent events seemed to point to wild Jacobins and
anarchists as the authors of this outrage: but Fouche v