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The Project Gutenberg EBook of The Story of an African Farm, by (AKA Ralph Iron) Olive Schreiner This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Story of an African Farm Author: (AKA Ralph Iron) Olive Schreiner Posting Date: August 13, 2008 [EBook #1441] Release Date: August, 1998 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE STORY OF AN AFRICAN FARM *** Produced by Sue Asscher THE STORY OF AN AFRICAN FARM by (AKA Ralph Iron) Olive Schreiner Preface. I have to thank cordially the public and my critics for the reception they have given this little book. Dealing with a subject that is far removed from the round of English daily life, it of necessity lacks the charm that hangs about the ideal representation of familiar things, and its reception has therefore been the more kindly. A word of explanation is necessary. Two strangers appear on the scene, and some have fancied that in the second they have again the first, who returns in a new guise. Why this should be we cannot tell; unless there is a feeling that a man should not appear upon the scene, and then disappear, leaving behind him no more substantial trace than a mere book; that he should return later on as husband or lover, to fill some more important part than that of the mere stimulator of thought. Human life may be painted according to two methods. There is the stage method. According to that each character is duly marshalled at first, and ticketed; we know with an immutable certainty that at the right crises each one will reappear and act his part, and, when the curtain falls, all will stand before it bowing. There is a sense of satisfaction in this, and of completeness. But there is another method--the method of the life we all lead. Here nothing can be prophesied. There is a strange coming and going of feet. Men appear, act and re-act upon each other, and pass away. When the crisis comes the man who would fit it does not return. When the curtain falls no one is ready. When the footlights are brightest they are blown out; and what the name of the play is no one knows. If there sits a spectator who knows, he sits so high that the players in the gaslig
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