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is decision. But the obvious explanation is that a man who lives by the head needs regular employment, and only he who lives by the emotions has anything to lose by it. Peacock's feelings were not so fine that routine could blunt them, nor so deep that an expression of them could give a satisfactory purpose to life. He entered the Company's service at the age of four-and-thirty; he found in it congenial friends, congenial employment, and a salary that enabled him to indulge his rather luxurious tastes. He kept chambers in London, a house on the Thames, a good cellar we may be sure, and a wife. Of this part of his life we know little beyond the fact that he was an able and industrious official. Probably, we shall not be far wrong in supposing him to have been much like other officials, only more intelligent, more witty, more sceptical, more learned, and more "cranky": also he kept stored somewhere at the back of his mind a spark of that mysterious thing called genius. At any rate, his recorded opinion, "There has never been anything perfect under the sun except the compositions of Mozart," smacks strongly of classical concerts and the Treasury. Though during this period he wrote his most entertaining, and perhaps his most brilliant novel, "Crotchet Castle," the years were heavy with misfortune. His mother, the human being for whom he seems to have cared most, died in 1833; before that date his wife had become a hopeless invalid. Three of his four children were dead before he retired from affairs. Already he had outlived many of his companions. Sorrow does not seem to have embittered but neither did it sweeten greatly his temper. His reticence stiffened, so did his prejudices. Only emotion enables a man to make something noble and lovely of pain; but intellect teaches him to bear it like a gentleman. It is easy to draw a pleasant picture of Peacock's old age; deeply considered, however, it is profoundly sad. He had stood for many great causes but for none had he stood greatly. Good nature and benevolence had done duty for love and pity. He had been more intimate with books than with men. And so, at the end, he found himself alone. His tragedy is not that he was lonely, but that he preferred to be so. He retired with a handsome pension to a sheltered life at Halliford. The jolly old pagan, the scholar, and the caustic satirist were still alive in him. He wrote "Gryll Grange." He packed poor Robert Buchanan out of the hou
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