low' because you don't know any better, or because you
are attempting to sing on top of an improperly selected meal?" In other
words, he put violation of the laws of hygiene by a singer on a par with
idiocy. Thus, even from comic opera, in the performance of which most
of the rules of vocal art are violated, one yet may gather certain
truths--by listening to the words--provided the singers know enough to
enunciate them distinctly.
The physiology of voice-production not only offers a rational method,
it also enables the student to guide his own development, to advance
his physical welfare, and, because he knows the why and wherefore of
things vocal, to perceive what is best in the performance of others
and to profit by it. Moreover, correct method of voice-production is
in itself a health developer, and a singer who is taught by it often
is able to overcome the disadvantages of a poor physique; while a
singer, originally of strong physique, may find himself physically
weakened by the use of a faulty method.
As between a person who employs a beautiful voice artistically and
a person who sings less beautifully, relying chiefly on interesting
personality and temperament, instead of on correct method, the former
singer usually long outlasts the latter. In other words, genuine vocal
art is the crowning glory of a naturally beautiful voice.
CHAPTER II
THE CHOICE OF A TEACHER
Further observations of a general character may be allowed to precede
a more detailed consideration of method.
Some people wonder why a person who is gifted with voice simply can't
get up and sing without any instruction. The reason is that voice is an
instrument; a natural, human instrument, it is true, yet one in the use
of which the fortunate possessor requires practice and training. The
purpose of a singing-method is to produce a perfect coordination of all
parts of the human voice-producing mechanism, an apparatus which is by
no means simple but, in fact, rather intricate and complicated. It will
be found, for example, that such a natural function of life as breathing
has to be especially adapted to the requirements of the singing voice;
that breathing such as suffices for the average person will not suffice
for correct voice-production. Again, in every voice certain notes are
better than others, and a correct method of voice-production, while
it may not be able to make every note in the range of voice of equal
quality, brings the
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