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The Project Gutenberg EBook of The Voice, by Frank E. Miller This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Voice Its Production, Care and Preservation Author: Frank E. Miller Contributor: Gustav Kobbe Release Date: January 4, 2010 [EBook #30854] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE VOICE *** Produced by David Newman, PB, Linda Cantoni, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note Music notation in this ebook is rendered using scientific pitch notation, in which, for example, middle C is rendered as C4, C below middle C is rendered as C3, and C above middle C is rendered as C5, etc. For more information on this notation method, see http://en.wikipedia.org/wiki/Scientific_pitch_notation THE VOICE Its Production, Care and Preservation _By_ FRANK E. MILLER, M. D. _With a Note by_ GUSTAV KOBBE _SIXTH EDITION_ NEW YORK: G. SCHIRMER BOSTON: BOSTON MUSIC CO. COPYRIGHT, 1910 BY G. SCHIRMER NOTE Dr. Frank E. Miller, the author of this book, is one of the leading New York specialists on throat, nose and ear. He numbers many singers among his patients and is physician to the Manhattan Opera House, Mr. Oscar Hammerstein's company. To expert knowledge of the physiology of the vocal organs he adds practical experience as a vocalist. Before and during his student years he was a singer and held, among other positions, that of tenor in one of the large New York churches. This experience has been of great value to him in his practice among singers. He understands them temperamentally as well as physically. Moreover, it has led him, in writing this book, to consider questions of temperament as well as principles of physiology. Great as is the importance that he attaches to a correct physiological method of voice-production, he makes full allowance for what may be called the psychological factors involved therein--mentality, artistic temperament, correct concept on the part of the singer of the pitch and quality of the tone to be produced, etc. Above all, Dr. Miller, while convinced th
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