FREE BOOKS

Author's List




PREV.   NEXT  
|<   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71  
72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   >>   >|  
Syrian desert to the Lebanon and the coast cities of Phoenicia. The first princes whose figured monuments--in contradistinction to mere inscriptions--have come down to us, belonged to those days. The oldest of all was ASSURNAZIRPAL, whose residence was at CALACH (_Nimroud_). The bas-reliefs with which his palace was decorated are now in the Louvre and the British Museum, most of them in the latter.[67] They may be recognized at once by the band of inscription which passes across the figures and reproduces one text again and again (Fig. 4). To Assurnazirpal's son SHALMANESER III. belongs the obelisk of basalt which also stands in the British Museum. Its four faces are adorned with reliefs and with a running commentary engraved with extreme care.[68] [Illustration: FIG. 4.--Genius in the attitude of adoration. From the North-west Palace at Nimroud. Louvre. Drawn by Saint-Elme Gautier.] Shalmaneser was an intrepid man of war. The inscriptions on his obelisk recall the events of thirty-one campaigns waged against the neighbouring peoples under the leadership of the king himself. He was always victorious, but the nations whom he crushed never accepted defeat. As soon as his back was well turned they flew to arms, and again drew him from his repose in the great palace which he had built at Calach, close to that of his father.[69] Under the immediate successors of Shalmaneser the Assyrian _prestige_ was maintained at a high level by dint of the same lavish bloodshed and truculent energy; but towards the eighth century it began to decline. There was then a period of languor and decadence, some echo of which, and of its accompanying disasters, seems to have been embodied by the Greeks in the romantic tale of Sardanapalus. No shadow of confirmation for the story of a first destruction of Nineveh is to be found in the inscriptions, and, in the middle of the same century, we again find the Assyrian arms triumphant under the leadership of TIGLATH PILESER II., a king modelled after the great warriors of the earlier days. This prince seems to have carried his victorious arms as far east as the Indus, and west as the frontiers of Egypt. And yet it was only under his second successor, SARYOUKIN, or, to give him his popular name, SARGON, the founder of a new dynasty, that Syria, with the exception of Tyre, was brought into complete submission after a great victory over the Egyptians (721-704).[70] In the intervals of his campaign
PREV.   NEXT  
|<   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71  
72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   >>   >|  



Top keywords:
inscriptions
 

Louvre

 

Shalmaneser

 

obelisk

 

palace

 

British

 
Museum
 

century

 

leadership

 

reliefs


Assyrian

 

Nimroud

 

victorious

 

languor

 
Calach
 

decadence

 

Greeks

 

romantic

 

Sardanapalus

 

embodied


accompanying
 

disasters

 

period

 
decline
 
prestige
 

lavish

 

bloodshed

 

truculent

 

maintained

 

successors


energy

 

father

 

eighth

 

founder

 

SARGON

 

dynasty

 

exception

 
popular
 

successor

 

SARYOUKIN


brought

 

intervals

 
campaign
 
Egyptians
 

complete

 

submission

 
victory
 

middle

 
triumphant
 

TIGLATH